The cult of Thor generally revolves around the community, fertility, farming, and the daily routine that most humans experience. Because of this, Thor was the most widely worshiped of the ancient gods and was the chief deity observed by the common folk. Thor protects man and the world from chaos, endowing power into our material forms. This force keeps man strong, driven, and determined, acting in accordance with honor, loyalty, and vitality. Thor represents the physical and temporal qualities of human life, things we can build, destroy, and manipulate in accordance with our will. Thor establishes order out of chaos, rhythm out of randomness. He represents the “tempo” of the seasons, symbolized by the wheel (or fylfot), and like the wheel, carries us forward safely through time and space.
May all revere the Thunder god.
“Reid is reins, Reid is spokes, Thor’s wagon, Behind the goats.”
Isa is among the most powerful of runes, although, easily overlooked due to its simple form. On the outside, this rune represents ice and the powers inherent within “frozen” states of being; nearly removed from the degradation of time. When looking for etymological clues during the research of this rune, I was unable to break free from the “ice,” so to speak. No matter where I searched, there wasn’t much material stretching this rune out. So, most of what we can say about Isa is largely subjective, although, some basic core concepts have been generally accepted as interpretations, such as focus, patience, and stillness. These ideas we will explore more as we dive further into this mysterious rune.
Isa is a word that hasn’t changed much since its’ theoretical use in Iron Age Germania. We still see it quite clearly in the English word ice and German eis, even loaning itself to Japanese in the form of aisu. At the root of Isa is the Proto-Indo-European h₁eyH- meaning “ice, hoarfrost, rime,” most likely referring to the icy residue left upon sprawling steppe landscape in cold months. Later, this would evolve into the Old Norse íss, which also means “ice.” This word, likewise, is used as a kenning or poetic reference to a sword, which clearly resembles the long, sharp icicles that hang from roofs and rafters in the winter.
The “Old English Rune Poem” gives us a beautiful description of this rune, stating:
“Ice is extra cold and immensely slick,
It glistens clear as glass, most gemlike,
A frost-wrought floor, fair to behold.”
The first line seems to have a precautionary feeling to it, expressing the obvious physical qualities of the rune. The second line starts to unfold the more metaphysical associations that the Anglo-Saxons attached to it, as ice can have a “mesmerizing” effect on the observer; clear like glass and mimicking the beauty of a fine gemstone. The final line shows that the ice was held in reverence by our ancestors, as the force held in Isa is one of beauty, radiance, and power. It is in this sense that we can attribute qualities like focus, stillness, and even a sense of “peace” to Isa.
Isa represents meditation, concentration, and patience. Isa is still and quiet, as one who is meditating. Isa is concentrated matter; power focused inward. Isa is a force of patience, taking long periods of “human time” to affect its surroundings. We can attribute a great energy and power to Isa, the same force inherent in continents of ice and gargantuan glaciers that carve the face of the Earth. This is an unseen and long-lasting power, extremely “dense” and focused; opposite to the quick and clearly observable power of fire which consumes all. It is with this evidence that we can grant this rune half of the powers fundamental in the Norse creation myth.
With Isa, we can invoke the now familiar concept of “Odin’s 9,” being a rune that is unchanged whether right side up or inverted. In relation to Odin, it is said that he is the offspring of the ice giant Bestla and the primordial being Borr, connecting him and the giants/jötunns directly to this rune. This evidence enforces theories about Isa regarding the past and its’ association with memory. Ice freezes and “locks” matter within it, encasing things and moments in a space beyond time. Essentially, ice holds the memories of the past within it. This has been further reinforced in modern science, as it has been proven that water can actually carry information within it. Isa slows and halts the forces of change.
This brings up the god/giant Mímir. Mímir translates to “memory” and further connects to Proto-Indo-European (s)mer- which means “to fall into thinking, remember, care for,” or essentially, meditation. This applies connection to Isa and to Odin, as meditation and the unlocking of “memories” is one of Odin’s most sought-after goals, consulting often the head of Mimir for advice and counsel. It is with this evidence that, I would argue, Isa is synonymous with the traditional symbol of the “crystal ball” that magicians, wizards, and various occultists have been said to consult throughout history. Mimir’s head could very well be associated with a large, clear gemstone or crystal, one which Odin uses for prophecy, wisdom, and focus.
Within Isa we also have a key to creation, as this rune represents a building block of design; the ancient and primordial ice that met with the all-encompassing “heat” or furious fire in the middle expanse of Ginnungagap (yawning abyss). With Isa we can see the ancient concept of Germanic “duality.” Not as one dealing necessarily with good and evil, but with “fire and ice”; chaos and order, change and stillness.
The ”Old Norwegian Rune Rhyme” gives us two rather obscure lines regarding Isa, stating :
“Ice we call a broad bridge;
A blind man needs to be led.”
Surely the Norwegians experienced a difference in form and force of ice than their ancestors from the steppe, as the first line alludes to massive and expansive “bridges” of ice. The second line seems to me to indicate that if one is “blind” or inexperienced that he will need to be led safely over these “bridges of ice.” Here we can see this rune is able to be applied to many circumstances in life where one is potentially “blind,” making this rune a more practically applicable concept.
Lastly, we will refer to the “Old Icelandic Rune Poem,” where it is said:
“Ice is the rind on a river, and a wave’s roof,
And a danger for doomed men.”
Here we have a more objective picture of this rune. We see its form as the “rind” or crust/peel of the river, referring to the layer of ice upon the top of bodies of water. We also have a reference to oceanic ice as the “wave’s roof,” something the Icelanders would have had an intimate relationship with. Lastly, the obvious is stated as a warning, that this rune is danger for men who are “doomed.” On land or sea, if you are unprepared for ice, indeed you will likely be doomed.
To conclude, it is without a doubt evident that Isa holds immeasurable power within it. Although it is arguably the “quietest” of all the runes, I think as with people, this is a sign of a different type of power; one that is slow, focused, precise, calm, and internalized. Cunningness as opposed to a purely aggressive, outward force. Isa is mastery over the forces within, a “silence” that is akin to serenity. With Isa we can associate deep and focused acts of meditation, a Shiva-like “stillness” that deeply reverberates within, radiating a crystal brilliance internally. This is the clear awareness of Odin; clear, bright, and entirely concentrated.
-Wandering the Runic Path: Esoteric Analysis of the Germanic Runes
The Younger Futhark (Futhorc) emerged around the 8th century C.E. in Scandinavia and is comprised of 16 runes. These runes were developed from the older 24 rune system we now call the Elder Futhark. Because of this reduction in symbols, some runes inevitably absorbed others in the process, making the system more cryptic. This also made reading and writing more complicated, as now some runes could supply a wider array of sounds. We see this for instance in the Tyr (ᛏ) rune, which indicates the “t” sound, now symbolizing the “d” sound as well, or in the Bjarkan (ᛒ) rune, which represents the “b” sound, now including the “p” sound as well. However, the rune with the most sounds is the Ur (ᚢ) rune, which includes over 5 different phonetic values such as U/W/V/Y/O.
This galdr track includes 16 repetitions of the Younger Futhorc, intended to help with meditation, memorization, and focus.
May it be of use to practitioners and anyone wanting to learn the runes.
One of our weekend practices is a full recitation of the Bellows translation of the Völuspá/Voluspo.
The Völuspá is one of the most well-known poems that emerged from the Pagan North during the Middle Ages. The title translates to “Prophecy of the Seeress” or “The Wise-Woman’s Prophecy,” consisting of various tales regarding the creation, destruction, and rebirth of the world. This is told from the perspective of a dead Volva (Witch/Seeress) to the god Odin who has temporarily brought her back to life in order to gain wisdom of the past, present, and future.
Although heavily criticized by some Pagans for containing seemingly Christian influences, we can see through the comparative study of other Indo-European religions that most of the primary subject matter inherent in the poem is authentic and does in fact give us insight into pre-Christian Pagan thought. A few themes of the poem that are echoed in other Indo-European myths are the being Ymir, the primordial bovine Auðumbla, and the battle between the serpent (Jörmungandr) and the thunder god (Thor). If anything, any added “Christian” elements are fairly subtle.
This galdr track was created for prayer, meditation, and ritual purposes.
Through the rhythm and words, one is encouraged to dissolve into space and time, traveling with the spirits of the Wild Hunt surrounded by a myriad of runes. Short prayers to Odin and the Norns are recited to gain favor, prosperity, and divine inspiration.
This poem was composed around the Winter Solstice of 2024.
We’ve just released another mantra track on our channel, may it benefit all beings.
Tara is a prominent goddess in both Hindu and Buddhist traditions, representing the feminine aspects of the Supreme, whether as an emanation (Mahavidya) of the great Durga or as a female embodiment of the Buddha. Tara has an exceptionally wide array of forms depending on which religious pantheon one is focusing on, varying from entirely wrathful forms to completely peaceful ones. These different emanations are necessary according to each individuals’ particular inclinations (due to karmic imprints) or specific school of practice.
In Vajrayana Buddhism, Tara is believed to have 21 forms with varying attributes, colors, and characteristics. She is invoked for protection and liberation from obstacles, to dispel poisons and bad dreams, and to destroy demons or other harmful spirits. Tara is revered as a loving mother and is often referred to as the “Mother of All Buddhas.” She guards sentient beings against fear, anxiety, and disease. Tara is often Green in color, representing all the activities of the Buddha, but white is also common, used for achieving long life and longevity. Other forms and colors exist as well. The seed syllable of Tara is TAM.
The Sanskrit word tā́rā means “star”, stemming from the Proto-Indo-European word h₂stḗr, which refers to stars (or planets) and means “shiner or glower.” Her mantra is OM TARE TUTTARE TURE SVAHA which means “Praise to Tara the Swift Liberator, Hail!” Above her sits Amitabha, Buddha of Boundless Light.
“…Homage to her whose face is like one hundred full autumn moons
And who blazes with light like that of thousands of stars…
…Homage to her whom Indra, Agni, Brahma, Vayudeva,
This compilation includes 8 galdr tracks covering the first 8 runes of the Elder Futhark.
May practitioners find them useful.
Hailaz
“…To conclude, we see in these runes’ terrestrial concepts and duties; from establishing morals and ethics within society, to making sure there are enough physical resources available for all members of the tribe to prosper and carry on. We see images of farms, wagons, fertility gods, elements of the Germanic creation myth, the Earth, Sun, fire, and deep underlying rhythm that is the unseen law of life. Driving these runes are Raido and Gebo, representing the wheels and wagon, while Fehu and Uruz pull us forward; the cow and ox. Ansuz, Kenaz, and Wunjo represent the higher functions of mans existence; the arts, crafts, trades, spiritual practices, bliss, ecstasy and wisdom. Once the foundation of the tribe is laid in the form of resource security, the tribe can then thrive and push forward in the arts and spirit.”
-Wandering the Runic Path: Esoteric Analysis of the Germanic Runes