Mahakala, black in color and fearsome in appearance, represents spiritual activity beyond our comprehension; the true consciousness that is unseen. His name means “Beyond Time/Great Black One” because he is all pervasive and unmanifested in material form, free of the shackles of tangibility. As a presence beyond matter, he remains untouched by Samsara, residing in the very fabric of space (consciousness) that permeates the entirety of the cosmos. Mahakala, like all Yidam (Ishtadevata) deities, represents the Vajra mind, fixed and indestructible; the primordial state of sentient awareness. Surrounded by the flames of wisdom, he is beyond the reach of times’ destruction. Mahakala is the foundation of conscious reality; a force of gravity that pulls beings towards the practice and service of the Dharma.
“…Such undeluded energy, like a windblown fire, can burn away the dross. Mahakala has strong legs and Mahakala has sure feet; They are well able to trample down demonic thoughts and deeds!…”
We have recorded a rendition of the Mahamrityunjaya mantra with a new affiliate @kshatriyacowboy. This verse can be found in the Rigveda (RV 7.59.12) and is devoted to the great Rudra-Shiva in his form of Tryambakam or “The Three Eyed One.”
There are many translations of this mantra, but it is generally referred to as the “Great Conquest Over Death” or “Death Destroying” mantra.
The Mahamrityunjaya mantra is a request to be separated from the clutches of death; a longing to be free of attachments to samsara and one’s inherent ignorance regarding the perception of self. The mantra expresses a specific wish to not be removed from the possibility of immortality; requesting to have one’s attachment to samsara be broken (the suffering of bodily/individual bondage) but for one’s consciousness (Self/Atman) to remain intact for eternity; completely overwhelmed and overflowing with devotion for the primeval essence. This is requested as a means to continue worshiping the divine Shiva for all of infinity, who is none other than the progenitor of primordial consciousness; the true state of one’s being. The mantra describes this metaphorically as a cucumber (or melon) being separated from its vine but continuing to live on as an emanation of its source (Shiva). This request is for consciousness to become free from the shackles of the flesh (vine) associated with the experience of samsara (change), ego, and death. Through this process, one’s true Self may live on forever in constant reverence of the primordial source; the original state of awareness from which one’s perception comes and to what one’s consciousness is inseparable from, no matter how obscured or hidden by one’s mundane delusions.
Oh Three Eyed one, great Shiva,
Fragrant (blissful, aromatic) sustainer of prosperity,
As the cucumber is removed from its vine (bondage),
May I be relinquished from death (attachment to samsara) but not from immortality.
We are wrapping up the final edits for the second rune book by Hrukjan titled “Wandering the Runic Path: Esoteric Analysis of the Germanic Runes.”
These will be published early next month and copies will be available from us around Samhain.
For those interested in the book, we’d like to share some information from the introduction:
“This book is meant to help guide the runic adept through various untrodden paths regarding the runes and their use in esoteric Pagan practice. Through many avenues such as language, myth, religious comparison, and thorough analysis, one can expand the dimensions of each rune into the endless fathoms of space and time. Each rune of the Elder Futhark has been dissected and tirelessly studied so that no stone is left unturned in their usability and ultimate meaning. Along with in-depth study, each “aett” of runes has also been given a set of common themes that one can ponder in association to their roles within the entirety of the Futhark. Not only this, but it is speculated throughout the book that the order of the runes is not only important, but carefully tells a unique story regarding life, death, rebirth, and the ultimate truth of existence as expressed by the people who created and used them.
While much of this book is speculative in nature, offering a deeply subjective analysis of these symbols, there is also much concrete and objective information regarding their history, etymology, and journey through time. From their many connections to Sanskrit and other Indo-European languages, the reader can form a thorough understanding of these symbols based on thousands of years of transformation. The reader will see how these runes transcend culture and relate to the natural surroundings of the different tribes that used them as they migrated across much of Europe, Asia, and beyond. Through this approach, one will see that the use of the runes is not only universally applicable, but also, not restrained to a certain “folk” or people. By realizing the scope of their use, one can see them as a divine tool for Self-development and transformation, as each rune is a key to ultimate realization.
If you are looking for a book that is not just informative, but also applicable to religious and spiritual practice, then this book should offer you many avenues towards your own purified understanding of these ancient symbols as used by the greatest of sages and magicians of the past. My hope is that this book will act as a compass for the devoted reader as they traverse the dark and endless paths laid before them by these ancient symbols. By doing so, one does not get lost or steered in detrimental directions by those who would rather see you confused and reliant on outside influences. Runic knowledge and the wisdom inherent within them are present in every sentient being, especially those who have the memories of these signs within their very soul. These secret symbols mirror that which exists within us and each rune is a key to unlocking the mysteries that lie dormant within our experience of reality. May this book help you transcend the limitations of individual existence and soar into the ether as Odin once did upon the great World Tree.”
Odin as the primordial state of consciousness applies to women as well, as Odin is said to have given soul to both. This innate awareness is formless and is beyond any associations with body or sexual identity. Therefore, one does not have to look at primal awareness as something based on these limiting and mundane concepts. This doesn’t mean that Freyja is not involved in the equation, as Freyja is the energy and flux of the natural/material universe, identical to great Kali/Shakti/Tara Ma. Freyja represents matter, while Odin represents consciousness. Without Odin, there would be no Freyja, and without Freyja, Odin would have nothing to manifest into. These are the two pieces of the puzzle that create what we know of our existence and reality; the Father (consciousness) and the Mother (material world). Each sentient being and all physical matter encapsulates these qualities. They are inseparable. Through training and practice, one can destroy the surface duality represented in these two halves, reuniting them into one single point of experience. Either deity can be venerated as supreme, as they both express one final outcome of creation.
We have uploaded a new galdr track titled “Ek Immi Óðinn” to our YouTube channel.
Ek Immi Óðinn can be translated to “I am Odin” and is meant to invoke the supreme awareness within. After one feels the deity present in their surroundings, one is to merge this primordial consciousness into oneself, replacing the mundane qualities of their hindered state of being associated with ignorance, weakness, and delusion. This method is mirrored in the Sanskrit mantra “Soham,” meaning “I am That.” This is a technique which allows the practitioner to become the deity (Odin) through the replacement of one’s limited state of mind, substituting it with the primordial awareness represented by the all-pervading consciousness of Odin. Through chanting this galdr repeatedly, one can transform themselves with immense speed and precision if one practices with single-pointed focus.
May all sentient beings seek the source of their consciousness and realize Odin within.
ALU represents orally transmitted knowledge that is passed down or transferred between individuals. This is akin to one “vessel” pouring liquid (ALU) into another vessel, representing the passing of tradition and secret wisdom from teacher/guru to student/disciple. This can be visualized like a great fountain, where water cascades down from one source point, representing the head of the spiritual lineage, falling down into further basins which overflow into more and more, representing each member who retains the teachings.
One could also speculate that the magical phrase ALU, while being associated with an “intoxicating” beverage, could be a reference to the “madness” that Odin is said to bring forth in his devotees. Other Proto-Germanic words like aluh (amulet) and alh (protect) can bring us to see ALU as being “protected by the intoxication of Odin.” It is quite possible, as with the Vedic and Egyptian ancient temples, that this ALU was a mix of substances, kept within the temple for sacred use. Other ingredients were likely various herbs and psychedelic mushrooms.
ALU can also be associated with inspiration and the “Mead of Poetry.” This magical liquid is said to cause consumers to become skalds (poets) and scholars; created by the dwarves Fjalar and Galar by mixing honey with the blood of the wise god Kvasir. Odin steals this magical mead disguised as an eagle and brings it back to Asgard. He then (through his mouth) delivers it to the gods and those skilled in poetry, emphasizing the concept of orally transmitted wisdom. This story can be found in Skáldskaparmál.
May ALU flow within all sentient beings and may divine intoxication drive your spirit forward.
One could spend a lifetime soaking up Elderberry lore. Please, if we have missed something important, let us know!
Elder can be found most prominently in European history and mythos. Elderberry gets its name from the Old English aeld, which means “fire.” This association with fire comes from archeological evidence suggesting the use of its hollow branches to blow into fire to get it going.
In Celtic Ogham, the Ruis (ᚏ) symbol represents the Elder. In Old Irish, ruise means “red” or “redness”. This Ogham refers to blushing, intense emotions, shame, being red in the face and the glow of anger. It also refers to the practice of using Elderberries to redden one’s cheeks. Ruis shows sacrifice must be made in order to gain. We must face our failures and pain on our path to achievements.
Elder is sacred to many goddess-traditions and especially to the goddess Frau Holle. It is said that Frau Holle lived inside of the elder bush and she has been referred to as the Elder Mother. Frau Holle has been represented in various ways in several cultures and has gone by many names in Germanic mythology including Mother Earth, Perchta, Odin’s Wife, Frigg, Holda, and several more. She has many faces.
Frau Holle is alternately a hag and a nurturing mother, believed to be a bridge between life and death; communicating with and helping souls to pass over. She holds the power to unleash a variety of magicks on all beings and things in the world. Not one part of the Elderberry bush is to be cut or burnt without permission from her. If one does, you may experience her wrath.
In Danish, the Elder Mother is called Hyldemoer and is associated with Elves, commonly perceived as living within the roots of the Elder tree. Elder wood was considered dangerous to use when building cradles for fear that the Elder Mother could torment or steal the child away.
In an ancient Irish collection of stories known as “The Lays of Fionn Mac Cumhail”, there is a tale called “The Headless Phantoms”. In this tale, Fionn stays in a strange and otherworldly house where elder logs are burnt. He spends the evening being forced to face a myriad of horrible monsters.
The Romani were so fearful of the wrath of the Elder Mother that they would go through great lengths to inspect each bundle of firewood to be sure there was no Elder before casting it upon the fire. It is said that “should you doze off under an Elder bush, you may be taken away to the otherworld or you may never wake at all.
The Elder is known as a great protector and powerful ward against evil. Elderberries are still commonly planted in gardens to watch over the plants. Leaves of the bush were placed above doors to ward off witches. Elderberries on windowsills are supposed to keep vampires from entering. The vampire’s compulsive need to count all the berries would keep them occupied until dawn.
It has also been used in a variety of burial rituals. Green Elder branches were placed in fresh graves to protect the dead from evil spirits. Carrying or wearing any part of the Elder would protect you from harm. Elderberry oil (or water) has been used in blessing rituals. Among Christian traditions, the Elder was a fearful symbol of sorrow and death. In medieval times, some Europeans would tie Elderberry twig hoops to parts of the body that had rheumatism and believed that this would cure it. The Romans created hair color from the dark juice of the berries.
Ansuz Society 