Wunjo Rune Analysis

Wunjo is the liberating power of bliss; the levity associated with fulfillment and satisfaction in one’s life and with one’s deeds. This blissful ecstasy can otherwise be associated with our concept of joy, happiness, and pleasure. We get a glimpse of this rune in the “Old English Rune Poem,” where it is said: 

“Wynn is borne by him who knows little of woes,

 Of soreness and sorrow, and himself has- 

 Bounty and bliss, and plenty of strongholds too!” 

Throughout the poem, we see a clear picture of true contentedness; a metaphysical ease that embraces one whom has for themself created the circumstances for bliss; a momentary freeing of the soul from any bonds of anxiety, woe, or sorrow. One who has conquered their aspirations. 

Wunjo also has a connection to wishes, in the sense that fulfilled wishes lead to these feelings of delight, enjoyment, ecstasy etc. Combined with the lessons of other runes, we know that our wishes must be paired with correct action in order for them to be fulfilled; runes like Raido (for control), Thurisaz (for willpower), and Ehwaz (for movement) come to mind here, among plenty of others.  

Therefore, it is wise to not look at wishing as a mere fantasy or common prayer, but rather a goal or outcome we’d like to see accomplished; something we want to facilitate or create. Wunjo/Wunsch/Wish of the old Germanic peoples was a force (or deity/spirit) of inspiration; one knew their wishes would only be fulfilled by their actions in life, rather than in pure lip-service. This is how one honored the Wunsch/Wish deity, who bestowed blessings upon those who completed their goals. This god of the Wish has been equated to Odin, as Grimm states in Teutonic Mythology: 

(Wuotan/Wunsch) is himself the bestower of all bliss.”  

It is certain that this “face” of Odin was one of importance and great reverence, as we find reference to him in “Grímnismál” as Óski, meaning “God of Wishes, Wished For.” This wish granting, bliss bestowing deity is usually associated with a tool, weapon, or item that symbolizes and or directs the gifts towards those who have earned them. This is seen in the German wunschelris, meaning “wishing twig,” the predecessor to the English “magic wand.” We also have the “wishing hat” of Wuotan, the “Horn of Plenty” or “Wheel of Fortune” of Fortuna, which in Sanskrit translates to mano-ratha or “wheel of the mind.” This alludes to Wunjo as a needed force of momentum to keeping one’s “wheel” moving forward. Another Indo-European deity who functions in this way would be Kamaduh/Kamadhenu, the “wishing cow.” 

Another concept that we can include here is that of the Old Norse fylgja, meaning “one who follows man, companionship” and is associated with a type of “guardian angel” spirit who attaches itself to those it chooses, bestowing them with luck, blessings, and bliss. Fairies, elves, and dwarves are also known to grant wishes, associating these beings with the Wunjo rune.  

Wunjo is closely related to the feeling of love, whether intimate or familial. We see this is the Proto-Indo-European root word wenh-, which means “to love, win” and “to wish.” Many word offspring have come from this root and it seems this sound denotes a sort of happiness, kindness, and affection. We see another related word in the Latin venia meaning “kindness, mercy, grace” and in the modern English/Old French word venial meaning “able to be forgiven, worthy of forgiveness.” In both words we see connections associated with Wunjo, as during the process of forgiveness one shows great love. Some more words derived from these concepts are the Proto-Germanic word wanjaną which means “to make accustomed to,” indicating an act of extreme care and kindness to guests. Wunjo is this process, formula, and understanding; the living phenomenon of the Wish, of love, and kindness. Wunjo is the creation of bliss, joy, and satisfaction in life. 

One more concept that could be drawn from this rune is that of indulgence or intoxication. Rather than embodying a stupefied version of these words, however, one is meant to reach states of ecstasy and spiritual dominance through these particular indulgences, using pleasure as a tool to create Wunjo, or bliss, associated with the divine; a piercing into the veil of reality. This can be seen in the Proto-Italic word wenjā meaning “indulgence.” The earlier visited Latin word venia also has a co-meaning of indulgence. In this respect, we can see a clear connection with pleasure and the realms of love and bliss. 

It is acceptable to deduce that Wunjo is a symbolic representation of the sensation of love, satisfaction, and joy in life. This feeling has permeated man for thousands of years with a clear and definitive expression. We can see a direct development of sounds and words associated with Wunjo forming their own substratum of conceptual framework, all revolving around this original sound/word wenh-. To our linguistic forefathers, the Proto-Indo-Europeans, we can assert that the “W” sound carried a euphoric and ecstatic vibration for those who spoke it. 

-Wandering the Runic Path

Constructing and Maintaining an Altar for Odin

This process is something that is done differently by almost everyone, as there has never existed a pan-Pagan dogma regarding this type of activity. However, most would agree that when constructing an altar in the Germanic fashion, there are 4 main pieces to consider. These 4 pieces we will cover here along with other ideas for what one can add to their setup. Having an altar dedicated to spiritual activity is important, as it gives one a place to conduct work that is vital to the human experience.

First, one must find a location that one is drawn to, perhaps isolated in the forest at the foot of a particularly powerful tree, a secret natural site, or inside one’s home in a secluded area. Second, it is recommended that an organic “table” be present in the location to conduct exchanges and make offerings, such as a stump or flat stone. If there is not, one should build something for this purpose. This can be a simple platform, or it can be an entire temple, this all depends on the person’s means and dedication. Third, the deity with which one wishes to communicate (in this case Odin) needs a home or place to inhabit on the altar. This can take the form of a special tree, stone, idol, statue, image, or in some cases, the skull of an animal or human. Generally, the deity is thought to reside in this location indefinitely, although, some will argue that they are only meant as temporary dwellings for the gods and spirits to reside in while the operant conducts their business. The fourth piece, especially important in the case of Odin (but also relevant to any Pagan altar), would be the drinking vessel in which we offer libations.

Once one has completed these 4 tasks, the altar is ready to be blessed and put into immediate use. Blessings include fumigation, galdr, and various invocations to protect the space. Some other things to consider placing on the altar are offering bowls, incense vessels, candles, a set of runes, and a place to leave meat or gifts intended for Odin’s ravens and wolves. Aside from these things, it is up to one’s discretion what they choose to exchange with the High One.  When it comes to maintaining this space, one must keep things fairly organized and clean. This shows respect to the deity and helps one stay disciplined.

Strive to replace the rune set every year, if made of wood. If the runes are made of stone, they should be washed, cleansed and re-consecrated through galdr and one’s own blood. Last, libations should be made according to your means, but it is recommended to refresh the drinking vessel either every 3 days, 9 days, 45 days, and/or on full Moons. When throwing out the old libation, it should be offered to a tree or local spirit, never put into the drain or trash.

May this be of use to new and current practitioners.

Hailaz!

Lughnasadh/Freyfaxi

Lughnasadh is named after the Celtic Sun god Lugh. This is a time when the first harvests of the year would be brought in and prosperity would begin to be felt amongst the community. Summer is fully in bloom and the golden fields and vibrant flowers mirror the glory of the powerful Sun above. During this time, people would feast and make offerings to the gods with the first fruits of the year. During Lughnasadh, there would be singing, music, games, competitions, and much more, as the people could finally begin to enjoy the rewards of their hard work so far that year. Traditionally, Lughnasadh is the first of the 3 great harvest celebrations, kicking off the sacred celebrations when humans reap the results of what they have sown.

In “Celtic Mythology and Religion,” Macbain writes:

“It is called in Scottish Gaelic “Lunasduinn,” in Irish “Lunasd,” old Irish “Lugnasad,” the fair of Lug. The legend says that Luga of the Long Arms, the Tuatha De Danann king, instituted this fair in honour of his foster-mother Tailtiu, queen of the Firbolgs. Hence the place where it was held was called Tailtiu after her, and is the modern Teltown. The fair was held, however, in all the capitals of ancient Ireland on that day. Games and manly sports characterised the assemblies. Luga, it may be noted, is the sun-god, who thus institutes the festival, and it is remarkable that at ancient Lyons, in France, called of old Lug-dunum, a festival was held on this very day, which was famous over all Gaul.”

Wrestling tournaments, races, and various games would have been held during this time in honor of the god Lugh, who is known for being highly skilled in many different areas. Archery, stone lifting, and weight throwing contests were said to have occurred, continuing into the modern day with summer events like the Highland Games. Sacrifices were also common in Pagan times, generally of a bull, and a feast would be made from its flesh, while a portion of the blood and other pieces were given to the gods.

In “A History of Pagan Europe” by Jones & Pennick, it is said:

“Lughnasadh (1 August, also called Bron Trograin) appears to have been imported into Ireland at a later date, perhaps by continental devotees of Lugh, who in the Irish pantheon is a latecomer, the ildánach, master of all skills, more modern in character than the other goddesses and gods. Correspondingly, Lughnasadh differs from the other three festivals in being agrarian in character, marking the harvest, and baking of the first loaf from the new grain. The deity honoured at Lughnasadh was Lugh, who was said to have instituted the games in honour of his foster-mother, Tailtiu. Tailtiu (Teltown) is in fact the name of the site of the festival in Tara. It is an ancient burial ground, and its name is thought to mean ‘fair’ or ‘lovely’, so if it ever was associated with a presiding goddess of that name, like Demeter in Greece she would have ruled both the Underworld and the fruits which sprang from it.”

In modern Germanic Pagan practice, Lughnasadh is recognized as Freyfaxi or “Frey Day,” replacing the Celtic Lugh with the Norse Freyr. Special and careful thanks are given to Lord Ingwaz/Yngvi/Freyr during this time to honor his power and acknowledge his benevolence. A general sense of peace should be felt on this day as well as an internal feeling of gratitude for all one has in life. As a god of wealth, Freyr makes us reflect on the things that make us feel a sense of prosperity in our lives.

In “Sorcery and Religion in Ancient Scandinavia” by Vikernes, it says:

“The 15th day of Alfheimr was Harvest Sacrifice (No. Slatteblot), also known as Wake-Up-Day, known from Gaelic as the festival of Lugh (“light”). The day marked the beginning of harvest. Before harvest could begin the grain spirit was killed and burned, or it was – in the shape of a goat made from last year’s straw – cut into bits and pieces and buried in the field’s four corners and in the field itself. By the time of the Bronze Age the spirit of light and grain had become a goddess and a god, Sibijo and Fraujaz, known from the Scandinavian mythology as Sif and Freyr respectively. The grain deity was still represented by a straw figure in animal form – usually a goat. In addition to this, the god was cut down with a sax, sickle or scythe in a sword dance. Finally, a symbol of the god, usually a loaf of bread or (in the most ancient of times) a cone, was cut into bits and pieces and buried with the straw animal in the field/meadow. The grain spirit had to die and be buried in the ground for new grain to come. They took the first straw harvested and made a new animal of it, then stored it in a safe place for next year’s Harvest Sacrifice.”

In summary, whether celebrating Lughnasadh or Freyfaxi, this is a time when the first fruits of the year are reaped and specific rituals are undertaken to ensure the fertility of the land. Skills are put on display and the community is brought together under a common aim: prosperity, happiness, and peace. It is important to give thanks to natural and local spirits for their blessings, and to the gods for their gifts. During Lughnasadh, we revel in the light, we feast, and we celebrate our good fortune.

Fehu Rune Analysis

Fehu is a rune denoting possessions, wealth, and material resources. In the ancient German tongue, this word would have represented one’s livestock, particularly cattle or other large production animals. Fehu stems from the Proto-Indo-European word u, which translates to “livestock.” Before the common man was able to call land his own, the only things he could really claim ownership of were his animals, assets, and family. This would evolve later into the English word fee, meaning “a right to the use of a superior’s land, inherited estate held of a lord, general property ownership, money paid or owned, payment for service, a prize or reward.” We see this same idea in the Old French word fief, meaning “an estate held by a person on condition of providing military service to a superior, something over which one has rights or exercises control, or an area of dominion.” 

Another connection we find relating to the concept of land ownership is in the word feudalism, meaning “a social system based on personal ownership of resources and personal fealty between a lord and subject.” This word can be broken down into 3 parts as “fe-odal-ism,” which would imply the connection between the noble (odal) and the fee (fe) one pays to essentially sub-lease land from the noble. This fee would be in the form of food, money, or military service. We also can find further evidence in the word fealty, meaning “allegiance to an oath to one’s lord.” 

This rune applies to all things monetary and material, whether in the form of the living flesh of animals or in the cold medium of actual money. Fehu, in this regard, can also be assigned powers of security, abundance, domestication, opportunity, and peace. Esoterically speaking, one could view Fehu as a fire rune, as one’s resources are a type of fuel/fire source, helping to propel us forward with more confidence, and ultimately, more focus towards our goals. Now that we’ve peeled away the outer layers of the Fehu rune, we can look deeper inside for further information. 

Connections can be made to the twin Vanir gods Freyr and Freyja, as this stave belongs to their respective “aett” of runes. Frey(r) has long been known to reside over the homestead, fertility, and success of the farm. His powers are attributed to fair weather, peace, prosperity, and general safety within the “sacred” or enclosed space of the homestead/village. Freyja, on the other hand, represents fertility, lust, beauty, death, and the Earth. In the “Old English Rune Poem” it is said: 

“Wealth is an ease to every man,  

Though each should deal it out greatly 

If he wishes to gain, before his Lord, an honored lot.” 

At this point in history, the author would have been referring to the Christian God. Nonetheless, this could easily refer to Freyr as well, and in fact clearly alludes to him, as the very title of Freyr means “Lord.” This poem, and others, also indicate a certain antagonism of greed, saying one must “deal out” wealth as much as he can do so. 

We see another connection to Fehu and Freyr in the word fairy, which is generally believed to be a being connected with the dead, magical powers, and the natural world. This word is cognate with the Latin Fata, who is the goddess of fate. We also have the English word fey, meaning “dying, dead, spellbound, doomed, or otherworldly.” Here, we can see remnants of powers inherent in the fairy, but also in Freyja, as she is a goddess residing over the dead alongside Odin. This could be insight into the overall order of the Futhark, as one could assume it resembles a Ragnarök-esque circle of events, symbolizing birth, death, and rebirth. Some refer to this as “the doom of the gods,” which could be a possible piece of evidence alluding to the Fehu rune representing doom or death, perhaps hinting at the resurrection of ones “Self” by means of retrieving material possessions from the burial mound; in turn beginning a new cycle, starting with one’s possessions. 

Suggestion for this can be found in “Óláfs Saga Helga,” where King Olaf facilitates his resurrection through the prophetic dreams of Hrani, who takes the possessions of his (Olaf’s) mound to the wife of Herald the Greenlander. After this, she then gives birth to a son who is bestowed the name Olaf, ensuring another life according to their tradition. The new Olaf would later denounce this claim, as Christian ideals had become the norm by then and the concept of reincarnation was abolished in their religion aside from select, “underground” sects. Similarities can be seen in the way Tibetans choose the Dalai Lama; who is shown past possessions to pick from at a young age. If the child chooses the correct objects, he will be recognized as the reincarnated Holy Man. 

Freyr has also been associated with the burial mound, the dead, and the cult of the ancestors. In “Ynglinga Saga” it is said that after Freyr had died, he was buried in a great mound with 3 holes bore into it. Each hole was offered a precious metal of either gold, silver, or copper to ensure good seasons and peace continued throughout the land. In connection with the dead, it is said that King Yngvi also used to perform “utisetta,” or Norse meditation, upon his dead queen’s burial mound. 

One more piece of evidence I will add, in this regard, is the Irish word figh, meaning “to weave together, compose.” Here we see the idea of a new beginning, the “weaving” of a new story, connecting with the ideas we explored in relation to the goddess(es) of fate, who have long been associated with the “spinning” or weaving of the destinies of man and the cosmos. This further ties the rune to the goddess Freyja, who is known for teaching seiðr to Odin; a sorcery generally associated with a metaphysical “weaving, tying, or binding” of a specific target, the weather, or the forces of fate altogether. 

Through this very material and resourceful rune we can form a more broad picture of how it may have been used as it moved through the ages. From a purely terrestrial concept revolving around possessions and livestock to the more metaphysical aspect of fire, energy, and prosperity within the Self and tribe. We are also given objective history into the idea of land ownership and how that system is constructed based on the notion of leasing out lands to those below you in caste. The king leases his land to nobles and the nobles, in turn, lease their land to the farmers/peasants. 

In conclusion, we can be assured that the Fehu rune is a rune of one’s material possessions and that it is a rune of moveable wealth. Further, it can be attributed to gifts of abundance, prosperity, and fertility of the Earth. As this rune moves through the times, it reflects not only money, but the fuel-source it represents in respect to our desires and opportunities. We see esoteric connections to the dead, the burial mound, and the Heathen process of reincarnation associated with the retrieval of “past possessions,” similar to that of the Tibetan practice. These rather obscure connections, upon additional reflection, seem to hold more and more weight within them. 

Annual Summer KTD Trip

Back at headquarters after a very busy and powerful weekend at KTD.

Two empowerments were given (Stainless Ushnisha and Stainless Light Rays), both related to the construction of stupas, the consecration of the items therein, and the clearing away of obstacles. These were given by Khenpo Lodrö Dönyö Rinpoche, abbot of the Mirik Monastery. This is something we would like to sponsor here at some point in the future.

After that, the monks began a 7 day Chakrasamvara puja at the request of the Karmapa, whose father passed away.

It is always rejuvenating to visit this holy site, but, it is also hard to leave. If you find yourself in the area, you should certainly stop by.

May all beings thrive.

“There is an old saying that the path is the goal and goal is the path. You make your journey, you get to your destination, and arriving at your destination brings on another question: how to proceed from there? In that way each goal itself becomes the path. Particularly from the tantric point of view, you don’t achieve anything except path. Discovery of the path is achieving.”

-Trungpa Rinpoche

Karma Triyana Dharmachakra

Om Cham Chandraya Namaha

We recorded another version of the popular mantra OM CHAM CHANDRAYA NAMAHA this Spring and are happy to share it with you.

This mantra is dedicated to the Moon god Chandra, also known as Soma, and can be translated many ways, such as “Homage! I Drink/Eat of the Moon!”.

The word cham comes from the Proto-Indo-European word kʷem which means “to swallow,” implying that one absorbs the energy of the Moon as one does when drinking water or eating food.

Chandra means “glittering/shining” and is a word used for the Moon personified. This light (or shine) is what we take in during meditation, transforming it into clarity of mind and peace in spirit.

Namaha comes from the Proto-Indo-Iranian word námas (respect, homage) which derives from the Proto-Indo-European word némos, meaning “to bend, sacrifice, worship.”

As this is chanted and visualized, one gives reverence with each repetition for the illuminating clarity that is given by the great Shining One, filling one’s consciousness with calm images of crystals, water, and moonlight.

Praise to the Shining One!

Ostara / Equinox Hails!

The Spring Equinox marks the traditional Easter celebration, the moment when the Sun crosses the equator from south to north. This is when animals like rabbits, deer, chipmunks, and other creatures of the forest begin to have their offspring. Various flora also emerge around this time, dotting the landscape with hints of color. During the Spring Equinox we pay special attention to the great Goddess in her youthful form of Ostara, Goddess of the Dawn. Ostara is associated with the rising Sun in the East, fertility, and light; a beacon of joy and good fortune. To many ancient Germanic Pagans, Ostara was credited with Springs deliverance. From her name we derive the modern word Easter, nodding to the Pagan origins of this holiday. To Ostara we make offerings and pray for a good year, thanking her for the return of the light. In one particular myth, Ostara transforms a bird into a rabbit who would then lay colorful eggs for her, showing us where the core symbolism of our modern holiday came from.

Hailaz Austra!

#ostara #spring #equinox #paganism

Om Mani Padme Hum

The six-syllable mantra Om Mani Padme Hum (Tib. Om Mani Peme Hung) is the most popular mantra in Tibetan Buddhism and has been chanted for over 1500 years. The mantra can originally be found in the Kāraṇḍavyūha Sūtra and is associated with the deity Avalokiteśvara (Tbt. Chenrezig) whose name means something like “Lord of the World.” The mantra itself has many different meanings associated with it, but most commonly it is translated as something like “Hail the Jewel in the Lotus.” This phrase is an homage to the great “jewel” of primordial awareness (Buddhanature) that exists within the hearts of all sentient beings. May all beings thrive under the watchful eyes of compassion.

ॐ मणि पद्मे हूँ / Om Mani Padme Hum

#ommanipadmehum #avalokiteshvara #buddhism #mantra #meditation

Wandering the Runic Path: Esoteric Analysis of the Germanic Runes (New Book Coming Soon!)

We are wrapping up the final edits for the second rune book by Hrukjan titled “Wandering the Runic Path: Esoteric Analysis of the Germanic Runes.” 

These will be published early next month and copies will be available from us around Samhain. 

For those interested in the book, we’d like to share some information from the introduction:

“This book is meant to help guide the runic adept through various untrodden paths regarding the runes and their use in esoteric Pagan practice. Through many avenues such as language, myth, religious comparison, and thorough analysis, one can expand the dimensions of each rune into the endless fathoms of space and time. Each rune of the Elder Futhark has been dissected and tirelessly studied so that no stone is left unturned in their usability and ultimate meaning. Along with in-depth study, each “aett” of runes has also been given a set of common themes that one can ponder in association to their roles within the entirety of the Futhark. Not only this, but it is speculated throughout the book that the order of the runes is not only important, but carefully tells a unique story regarding life, death, rebirth, and the ultimate truth of existence as expressed by the people who created and used them.

While much of this book is speculative in nature, offering a deeply subjective analysis of these symbols, there is also much concrete and objective information regarding their history, etymology, and journey through time. From their many connections to Sanskrit and other Indo-European languages, the reader can form a thorough understanding of these symbols based on thousands of years of transformation. The reader will see how these runes transcend culture and relate to the natural surroundings of the different tribes that used them as they migrated across much of Europe, Asia, and beyond. Through this approach, one will see that the use of the runes is not only universally applicable, but also, not restrained to a certain “folk” or people. By realizing the scope of their use, one can see them as a divine tool for Self-development and transformation, as each rune is a key to ultimate realization.

If you are looking for a book that is not just informative, but also applicable to religious and spiritual practice, then this book should offer you many avenues towards your own purified understanding of these ancient symbols as used by the greatest of sages and magicians of the past. My hope is that this book will act as a compass for the devoted reader as they traverse the dark and endless paths laid before them by these ancient symbols. By doing so, one does not get lost or steered in detrimental directions by those who would rather see you confused and reliant on outside influences. Runic knowledge and the wisdom inherent within them are present in every sentient being, especially those who have the memories of these signs within their very soul. These secret symbols mirror that which exists within us and each rune is a key to unlocking the mysteries that lie dormant within our experience of reality. May this book help you transcend the limitations of individual existence and soar into the ether as Odin once did upon the great World Tree.”

May all sentient beings embrace the runes.

-Ansuz Society

ALU and the Transmission of Knowledge

ALU represents orally transmitted knowledge that is passed down or transferred between individuals. This is akin to one “vessel” pouring liquid (ALU) into another vessel, representing the passing of tradition and secret wisdom from teacher/guru to student/disciple. This can be visualized like a great fountain, where water cascades down from one source point, representing the head of the spiritual lineage, falling down into further basins which overflow into more and more, representing each member who retains the teachings.

One could also speculate that the magical phrase ALU, while being associated with an “intoxicating” beverage, could be a reference to the “madness” that Odin is said to bring forth in his devotees. Other Proto-Germanic words like aluh (amulet) and alh (protect) can bring us to see ALU as being “protected by the intoxication of Odin.” It is quite possible, as with the Vedic and Egyptian ancient temples, that this ALU was a mix of substances, kept within the temple for sacred use. Other ingredients were likely various herbs and psychedelic mushrooms.

ALU can also be associated with inspiration and the “Mead of Poetry.” This magical liquid is said to cause consumers to become skalds (poets) and scholars; created by the dwarves Fjalar and Galar by mixing honey with the blood of the wise god Kvasir. Odin steals this magical mead disguised as an eagle and brings it back to Asgard. He then (through his mouth) delivers it to the gods and those skilled in poetry, emphasizing the concept of orally transmitted wisdom. This story can be found in Skáldskaparmál.

May ALU flow within all sentient beings and may divine intoxication drive your spirit forward.

Hailaz / Namaste

-Ansuz Society