Short Opening Prayers for Galdr, Practice, and Ritual

Subscribe to continue reading

Subscribe to get access to the rest of this post and other subscriber-only content.

Tiwaz ᛏ

Tiwaz is an interesting rune, representing a broad spectrum of meanings, associations, and uses. In Proto-Germanic, Tiwaz means “deity/god,” later developing into the Norse god Týr.  In most cases, it is agreed upon that Tiwaz is a rune of victory, war, warriors, justice, and the sky.  Tiwaz stems from the Proto-Indo-European word deywós, meaning “god,” which was a deification of the daytime sky. When Tacitus wrote of the Germanic tribes, he spoke of a certain war god they worshiped, identifying it with the Roman god Mars. Tiwaz is cognate with the Greek god Zeus, another great sky god of the Pagans. The Luwians of Anatolia had a Sun-god named Tiwaz as well, with another epithet of Tati, meaning “father.”

There has been much debate over whether Tyr or Odin was the chief god of the Germans before Christianity, mostly due to this word and the emphasis on the god in Tacitus’ Germania. Not only this, but on the Negau helmets found in Slovenia, dated 450-350 B.C., we have a runic inscription reading “Teiva,” which would indicate ancient worship of this god. I think it is possible there was more emphasis on Tiwaz in some areas of Europe, although, it could have just been a term used for Odin. There are many names for Odin ending with the word –týr, including Valtýr (god of dead warriors) and Farmatýr (god of cargoes). When viewing Tiwaz (and its shape) through the lens of Odin, we can attribute this rune to his magic spear, Gungnir, which he hurls over enemies that are to be conquered. In Völuspá verse 23, it is said:

“On the host his spear

did Othin hurl,

Then in the world

did war first come…”

Evidence for Tiwaz being invoked in war or magical purposes can be found in Sigrdrífumál, verse 6, where the great valkyrie Sigrdrífa states:

“Winning-runes learn,

if thou longest to win,

And the runes on thy sword-hilt write;

Some on the furrow,

and some on the flat,

And twice shalt thou call on Tyr.”

In Old English, this rune/god was called Tīw. This is where we get our modern word Tuesday from, as the second day of the week in the time of the early English was called Tiwesdæg. The “Old English Rune Poem” states:

“Tyr is a certain sign, it keeps covenant well

with athelings; it is ever on course

above the night’s mists; it never misleads.”

This poem invokes Tiwaz as a “certain” sign, meaning one that is unwavering. Tiwaz is stable and stoic, as Tyr is a god of honor, justice, and judgement. This is another reason why Tiwaz can be seen as a “pillar” that holds up the sky. This is reflected in another Old English word, tīr, meaning “fame, glory, honor.” As an Aesir god, his duty is to reign over judgement and order, helping to protect the gods from the forces of chaos. His purpose is unclouded in their ranks, representing stability within social and cosmic law. The last line mentions this rune as a star, likely Polaris, which has been used to navigate the northern hemisphere since antiquity. With this perspective, one can see the Tiwaz rune when looking at the “Little Dipper.” Dr. Svoboda writes in “Vastu: Breathing Life into Space” about Polaris and its significance:

“This resonance between life and the northern direction is significantly enhanced by the eternal presence in the northern sky of the polestar, Polaris. The northern pole of the Earth’s axis of rotation points almost directly at Polaris, which makes the heavens appear to rotate around the star, and makes it a reliable guide to north. The polestar’s relative immobility garners it the Sanskrit name Dhruva (‘fixed, stable, immovable’).”

            When assigning Polaris to Tiwaz, we can see why some rune adepts have perceived this rune as a “World Pillar” or “Irminsul.” The apparent reliability of the polestar’s location provided ancient man with a “certain” celestial guide, directing one towards north. Like the World Pillar, Tiwaz stands for stability and union between Earth and Sky.

The “Old Norwegian Rune Rhyme” is less descriptive but more cryptic in tone, stating:

“Tyr is the one-handed among gods.

Oft the smith has to be blowing.”

This poem invokes Tyr’s mythological context of being one-handed, as he is said to have had one bitten off by the wolf Fenrir. The second line refers to Tyr as a war-god, as during wartime, a smith is hard at work making weapons and tools of battle. Tyr is usually identified with the sword, and thus, would further connect him closely with the smith and smithing.  The mysterious tone of this poem is likely due to poetic artistry.

The “Old Icelandic Rune Poem” adds another element to the previous poem, stating:

“Tyr is the one-handed Ase, and the wolf’s leftovers,

And the helmsman of holy sites.”

Here we see the same concepts brought up as in the former poem, although, the second line clarifies the connection with the wolf, as “leftovers” refers to Tyr after having his hand bitten off. The “helmsmen” of holy sites is an interesting line, showing Tyr’s role as a mediator, judge, or presence of justice. Tyr is truth, law, and vigilance.

Tyr’s shape has been said to symbolize a pillar holding up the sky, perhaps giving deeper insight into his role in the ancient worldview of the Pagans. Tiwaz was a protector and upholder of the glorious daytime heavens, the unobstructed Sun and fair weather on the land. Another Proto-Indo-European root word for Tiwaz is dyew, meaning “sky, Heaven” and “to be bright.” Together, with the notion of a god, I believe it is without doubt that we are looking at a sky-god representing the unobstructed Sun. The glory of the daytime sky was synonymous with God and Heaven.

In conclusion, it is clear that Tiwaz, in his many forms and titles, has persisted for many thousands of years throughout time and culture. Whether associated directly with the sky, Heaven, and Sun, or whether associated with honor, oaths, and justice, we see a god of high rank and merit. No matter which pantheon we look at, Tiwaz can be found in some way, ranking highest or near the top. The Old English associated this rune highly with honor, fame, and glory, while the continental tribes associated Tiwaz more directly with war and victory. Either way, Tiwaz can be attributed to warriors, weapons (spears/swords), and victory in battle. For modern Pagans, we shouldn’t overlook this god in our practice, as Tuesdays should be dedicated to his admiration and veneration. Tiwaz is a good god for those interested in criminal justice, honor, or warfare. In this respect, Tiwaz has long been a god of warriors and military personnel. Therefore, practicing Pagans in the military should look to this god for protection and guidance.  May he protect you always and fill you with the courage and stability to do what is right.

-Wandering the Runic Path: Esoteric Analysis of the Germanic Runes

Algiz ᛉ

Subscribe to continue reading

Subscribe to get access to the rest of this post and other subscriber-only content.

Odin Prayer in Gothic and English

Subscribe to continue reading

Subscribe to get access to the rest of this post and other subscriber-only content.

Augjan Gautaz

Subscribe to continue reading

Subscribe to get access to the rest of this post and other subscriber-only content.

Autumn Equinox

The Autumn Equinox is the turning point in the year when daylight and darkness become even once again, tipping the scales towards the darkest period of the year when the nights grow longer than the days and the weather gets colder. Traditionally, harvests would be reaped during this time and various rituals were conducted for the gods and spirits residing over abundance. Attention was given to the spirits and ancestors as it was believed that this time was liminal and other realms were accessible. At the cusp of the Equinox, the dark half of the year begins to slowly gain dominance once again.

Bonfires are especially common as well as sacrifices, whether physical or symbolic. People give thanks and ask for future abundant harvests, ensuring a healthy stock of goods for the upcoming Winter months. Much depended on this pivotal time of year and many rites were undertaken to guarantee success. Feasts would be widespread as well as games, echoing other Summer/Fall festivals in atmosphere. For us here in the Northeastern United States, many crops are ripening at this time, such as squash, tomatoes, and beans. With this comes canning and drying to stock pantries for the Winter.

In “Teutonic Mythology” by Grimm, it says:

“In some parts of northern England, in Yorkshire, especially Hallamshire, popular customs show remnants of the worship of Frieg. In the neighborhood of Dent, at certain seasons of the year, especially autumn, the country folk hold a procession and perform old dances, one called the giant’s dance: the leading giant they name Woden, and his wife Frigga, the principal action of the play consisting in two swords being swung and clashed together about the neck of a boy without hurting him.”

As seen above, many early English (and Germanic) peoples would honor the god/goddess Frieg (Frigga) and Woden (Odin) during this time. Woden/Wotan in early Germanic belief was sometimes associated with wheat fields, where offerings were left for his horse Sleipnir during pivotal moments of the year. Certain epithets of Odin give reason to believe that he has been worshipped as a benevolent god to some extent, reigning over wealth, fate, and general prosperity. Names like this include Farmatýr (Lord of Cargoes) and Óski (God of Wishes).

Regarding Odin and continental Pagan belief, Grimm also states:

“As these names [Woden/Mercury/Hermes], denoting the wagon and the mountain of the old god, have survived chiefly in Lower Germany, where heathenism maintained itself longest; a remarkable custom of the people in Lower Saxony at harvest-time points the same way. It is usual to leave a clump of standing corn in afield to Woden for his horse.”

Of all the ancient celebrations, the Autumn Equinox was the most difficult one to find any references for. My belief is that it was a lesser celebratory event and more centralized in each community, where the harvest would be brought in and the local spirits offered to. People were likely working hard and didn’t have time to prepare for anything large like they would have during the last harvest of Samhain, which certainly would have taken the forefront in terms of importance, at least to the Pagan Celts.

In “The One-Eyed God” by Kershaw, it says:

“These times of transition are strange times, whether the transition is from month to month, or season to season, or year to year; they are times which are not quite one thing or the other. They are like boundary lines, which are not quite my property or yours, or doorways, which are not quite inside or outside. As Eitrem said, it is at these dividing lines of time and space that the dead and Hermes are particularly active.”

It was common to not only focus on the harvest at this time, but to also give special attention to the dead and gods (or spirits) associated with death. The year was to start its final stages of descent into darkness and the deified Sun/Light was to begin the darkest part of its journey through the underworld. Because of this, symbolic bonfires are lit in order to emulate the Sun and prolong the light.

In “Sorcery and Religion in Ancient Scandinavia” by Vikernes, it says:

“Odinn placed his eye in the grave, in the well of the past, every year, in order to learn from the past. This might sound strange, but his eye was the Sun, Baldr, that lost its power every autumn and therefore had to spend the winter in the world of the dead. In other words, Odinn had one eye in the world of the living and one eye in the world of the dead.”

Aside from the various gods, goddesses, and spirits of prosperity, it is clear that Odin and Frigga took a central role in (Germanic) Equinox observances in pagan Europe. Odin (Woden) was recognized as a god of wishes, death, darkness, gifts, and clairvoyance, mirroring the exoteric liminality of the period between light and dark invoked by the Equinox. Frigga, on the other hand, represented the Earth, love, fertility, wisdom, strength, and magic. Essentially, Frigga is the symbol of Nature herself.

This celestial event is to also be reflected internally, as darkness begins to gain supremacy after this transition. We begin to look inward and conduct deeper spiritual work, creating light within to combat the impending darkness of Winter.

-The Celto-Germanic Wheel of the Year According to Past and Present Pagan Customs

Hávamál, 23

Stanza 23 of The Hávamál reads:

“The witless man is awake all night,

Thinking of many things;

Care-worn he is when the morning comes,

And his woe is just as it was.”

This stanza offers timeless insight into the nature of worry and sleeplessness. It warns against the unproductive torment of overthinking, something that transcends time, culture, and language.

Insomnia and nighttime rumination are now well documented features of anxiety and depression. The pre-dawn hours, when the world is still and our thoughts are loudest, can feel especially oppressive.

Odin’s advice urges wisdom through healthy and proactive emotional moderation. He implies that constant brooding leads us nowhere. A sleepless night of rumination changes nothing and only compounds one’s suffering. This is the product of avoiding one’s anxieties during waking hours. We cannot hide from these things. 

This emotional state also appears in Anglo-Saxon poetry, such as in The Wanderer. The speaker describes his lonely morning sorrows: “Often I must bewail my sorrows alone every morning: none is now alive to whom I dare plainly speak my mind”.

Interestingly, a similar concept is found in the Old English word uhtceare, which roughly translates as “pre-dawn anxiety” or “the sorrow before dawn.” It refers to the experience of lying awake in the early hours, consumed by worry. The word is formed from uhta, meaning the time just before daybreak, and cearu, meaning care, grief, or anxiety.

The fact that both Norse and Anglo-Saxon traditions preserved and named this specific experience speaks to how universally felt it was throughout the Germanic world.

Yet, perhaps there is comfort to be found in this. The ancients wrestled with the same restlessness that plagues us today. If even the Allfather himself thought it important enough to caution against, then perhaps it’s a reminder that we’re not alone in our struggles. And that, in itself, may offer some solace.

Amitabha Mantra | Om Ami Dewa Hrih

Amitabha (Boundless/Infinite Light) is an important figure found in the Mahayana and Vajrayana schools of Buddhism, with his function varying differently between the two.

In the Mahayana schools, especially the Pure Land school, Amitabha is venerated as a fully enlightened Buddha and his realm Sukhavati (a place ideal to practice the Dharma) is aspired after death. This isn’t a permanent heaven, but rather a flawless realm for one to continue practice and achieve enlightenment in.

In Vajrayana, Amitabha is a Dhyani (meditation/wisdom) Buddha and is the head of the Lotus (Padma) family, associated with the direction of the West, the same direction of his heavenly realm Sukhavati. He is responsible for the transformation of desire and attachment into discerning wisdom. He is also invoked in the practice of Phowa meaning “transfer of consciousness.” However, when practiced in accordance with long-life rituals, he appears as Amitayus (Buddha of Infinite Life), a sambhogakaya (enjoyment body) form of Amitabha.

Amitabha usually appears as a red Buddha in meditation posture, adorned with Dharma robes and holding a begging bowl with both hands. The meditator is to visualize oneself as a bodhisattva, white in color, with Amitabha, the Bhagavat, in front. Through his sadhana, one eventually dissolves the barrier between Amitabha and oneself, becoming the very essence of “lucidity and emptiness.”

Om Ami Dewa Hri

Front Image Link: https://www.himalayanart.org/items/24733/images/primary#-617,-1000,1381,0

Back Image Link: https://www.himalayanart.org/items/77019/images/primary#-1434,-2204,2971,0

Non-Profit 501(c)(3) Approval

We have finally received our approval to operate as a 501c3. With this comes many new opportunities for people to get involved and for us to expand on our event and activity planning.

We will be looking for more individuals who are interested in hosting lectures, retreats, classes, rituals, hikes and projects of various kinds. If you have skills to share or knowledge to teach, please feel free to get in touch.

Rune classes will resume this fall, sign up will begin in September. Weekly galdr sessions held Wednesday and Saturdays.

Groups who want to collaborate on ritual or music, please get in touch.

Hailaz

Triratna (Triple Gem) Mantra

The Sanskrit Triratna (Triple Gem/Three Gems) mantra is a universal refuge prayer for all Buddhists, sung in all schools of Buddhism from the Theravada to the Mahayana and Vajrayana. The mantra proclaims the following:

“I go for refuge to the Buddha,

I go for refuge to the Dharma,

I go for refuge to the Sangha.”

Refuge in the Buddha means to acknowledge the omniscient and unshakable nature that the Buddha represents, and to aspire to acquire that state. Refuge in the Dharma means to accept the authority of the teachings and to follow them diligently as a road map to enlightenment. Refuge in the Sangha means to find solace and inspiration in spiritual friends, teachers, and community.

This is a basic interpretation of the mantra as generally understood by most practicing Buddhists. However, as one gains deeper meditative insight, one’s guru will reveal further interpretation, depending on the school one involves themselves in.

Sanskrit:

Buddhaṃ śaraṇaṃ gacchāmi.

Dharmaṃ śaraṇaṃ gacchāmi.

Saṃghaṃ śaraṇaṃ gacchāmi

Pali:

Buddham saraṇaṁ gacchāmi

Dhammaṁ saraṇaṁ gacchāmi

Saṅghaṁ saraṇaṁ gacchāmi

Image link: https://www.himalayanart.org/items/61240

#buddhism #triratna #refuge #dharma