Fehu Rune Analysis

Fehu is a rune denoting possessions, wealth, and material resources. In the ancient German tongue, this word would have represented one’s livestock, particularly cattle or other large production animals. Fehu stems from the Proto-Indo-European word u, which translates to “livestock.” Before the common man was able to call land his own, the only things he could really claim ownership of were his animals, assets, and family. This would evolve later into the English word fee, meaning “a right to the use of a superior’s land, inherited estate held of a lord, general property ownership, money paid or owned, payment for service, a prize or reward.” We see this same idea in the Old French word fief, meaning “an estate held by a person on condition of providing military service to a superior, something over which one has rights or exercises control, or an area of dominion.” 

Another connection we find relating to the concept of land ownership is in the word feudalism, meaning “a social system based on personal ownership of resources and personal fealty between a lord and subject.” This word can be broken down into 3 parts as “fe-odal-ism,” which would imply the connection between the noble (odal) and the fee (fe) one pays to essentially sub-lease land from the noble. This fee would be in the form of food, money, or military service. We also can find further evidence in the word fealty, meaning “allegiance to an oath to one’s lord.” 

This rune applies to all things monetary and material, whether in the form of the living flesh of animals or in the cold medium of actual money. Fehu, in this regard, can also be assigned powers of security, abundance, domestication, opportunity, and peace. Esoterically speaking, one could view Fehu as a fire rune, as one’s resources are a type of fuel/fire source, helping to propel us forward with more confidence, and ultimately, more focus towards our goals. Now that we’ve peeled away the outer layers of the Fehu rune, we can look deeper inside for further information. 

Connections can be made to the twin Vanir gods Freyr and Freyja, as this stave belongs to their respective “aett” of runes. Frey(r) has long been known to reside over the homestead, fertility, and success of the farm. His powers are attributed to fair weather, peace, prosperity, and general safety within the “sacred” or enclosed space of the homestead/village. Freyja, on the other hand, represents fertility, lust, beauty, death, and the Earth. In the “Old English Rune Poem” it is said: 

“Wealth is an ease to every man,  

Though each should deal it out greatly 

If he wishes to gain, before his Lord, an honored lot.” 

At this point in history, the author would have been referring to the Christian God. Nonetheless, this could easily refer to Freyr as well, and in fact clearly alludes to him, as the very title of Freyr means “Lord.” This poem, and others, also indicate a certain antagonism of greed, saying one must “deal out” wealth as much as he can do so. 

We see another connection to Fehu and Freyr in the word fairy, which is generally believed to be a being connected with the dead, magical powers, and the natural world. This word is cognate with the Latin Fata, who is the goddess of fate. We also have the English word fey, meaning “dying, dead, spellbound, doomed, or otherworldly.” Here, we can see remnants of powers inherent in the fairy, but also in Freyja, as she is a goddess residing over the dead alongside Odin. This could be insight into the overall order of the Futhark, as one could assume it resembles a Ragnarök-esque circle of events, symbolizing birth, death, and rebirth. Some refer to this as “the doom of the gods,” which could be a possible piece of evidence alluding to the Fehu rune representing doom or death, perhaps hinting at the resurrection of ones “Self” by means of retrieving material possessions from the burial mound; in turn beginning a new cycle, starting with one’s possessions. 

Suggestion for this can be found in “Óláfs Saga Helga,” where King Olaf facilitates his resurrection through the prophetic dreams of Hrani, who takes the possessions of his (Olaf’s) mound to the wife of Herald the Greenlander. After this, she then gives birth to a son who is bestowed the name Olaf, ensuring another life according to their tradition. The new Olaf would later denounce this claim, as Christian ideals had become the norm by then and the concept of reincarnation was abolished in their religion aside from select, “underground” sects. Similarities can be seen in the way Tibetans choose the Dalai Lama; who is shown past possessions to pick from at a young age. If the child chooses the correct objects, he will be recognized as the reincarnated Holy Man. 

Freyr has also been associated with the burial mound, the dead, and the cult of the ancestors. In “Ynglinga Saga” it is said that after Freyr had died, he was buried in a great mound with 3 holes bore into it. Each hole was offered a precious metal of either gold, silver, or copper to ensure good seasons and peace continued throughout the land. In connection with the dead, it is said that King Yngvi also used to perform “utisetta,” or Norse meditation, upon his dead queen’s burial mound. 

One more piece of evidence I will add, in this regard, is the Irish word figh, meaning “to weave together, compose.” Here we see the idea of a new beginning, the “weaving” of a new story, connecting with the ideas we explored in relation to the goddess(es) of fate, who have long been associated with the “spinning” or weaving of the destinies of man and the cosmos. This further ties the rune to the goddess Freyja, who is known for teaching seiðr to Odin; a sorcery generally associated with a metaphysical “weaving, tying, or binding” of a specific target, the weather, or the forces of fate altogether. 

Through this very material and resourceful rune we can form a more broad picture of how it may have been used as it moved through the ages. From a purely terrestrial concept revolving around possessions and livestock to the more metaphysical aspect of fire, energy, and prosperity within the Self and tribe. We are also given objective history into the idea of land ownership and how that system is constructed based on the notion of leasing out lands to those below you in caste. The king leases his land to nobles and the nobles, in turn, lease their land to the farmers/peasants. 

In conclusion, we can be assured that the Fehu rune is a rune of one’s material possessions and that it is a rune of moveable wealth. Further, it can be attributed to gifts of abundance, prosperity, and fertility of the Earth. As this rune moves through the times, it reflects not only money, but the fuel-source it represents in respect to our desires and opportunities. We see esoteric connections to the dead, the burial mound, and the Heathen process of reincarnation associated with the retrieval of “past possessions,” similar to that of the Tibetan practice. These rather obscure connections, upon additional reflection, seem to hold more and more weight within them. 

Chanterelle

The Chanterelle is an edible mushroom with medicinal perks. ⁣

You can find this golden treasure living in symbiosis with pine, spruce, oak and hornbeam.⁣

They will reappear in the same places year after year so long as the mycelium in the soil is not disturbed. One patch can produce fungi for generations.

Some of the benefits of Chanterelles include:⁣

    • Rich source of several vitamins and minerals including vitamin D which supports bone health⁣

    • Known to help reduce inflammation

    • Great immunity boosters⁣

We like to pickle our excess Chanterelles for later use.

Let us know if you have any favorite Chanterelle recipes or other uses!

Gebo Galdr

…it is clear that when speaking about ancient Germanic Pagan ethics and morals, Gebo was the law. Gebo drives our interpersonal relationships, applying to both the physical and divine. All relationships revolve around a giving and receiving mechanism of some form. This balance of nature was represented by the ancient Germans in the form of the equal armed, crossing X.

-Wandering the Runic Path

Summer Solstice/Midsummer

The Summer Solstice is the time of year when the daylight is longest, the power of the Sun is at its peak, and the solar cycle reaches its apex, tipping the scales towards the dark half of the year once again. After this turning point, the sunlight begins to wane, shortening the daylight minute by minute until the Winter Solstice. Typically, this was a time to celebrate the Sun, spend time outdoors, and enjoy the bliss of good weather. Mead, wine, and other beverages would be consumed, and great feasts would be enjoyed.

In “Teutonic Mythology” by Grimm, it is said:

“Twice in the year the sun changes his course, in summer to sink, in winter to rise. These turning-points of the sun were celebrated with great pomp in ancient times, and our St. John’s or Midsummer fires are a relic of the summer festival. The higher North, the stronger must have been the impression produced by either solstice, for at the time of the summer one there reigns almost perpetual day, and at the winter one perpetual night.”

Games and various competitions would be hosted along with other festivities such as dancing and music. Entertainment would be lively and abundant, encouraging joy and merriment among the community. In the Germanic context, many people honor the god Baldr during this time as a god of light and/or personification of the light of the Sun, which in a mythological context, “dies” and beings to decline after this time, mirrored by Baldr’s death and descent into Hel. Because of these connections, a common blot/ritual focus during the Summer Solstice is the death (or funeral) of Baldr, the god of light. Stone ships are erected, abundant offerings are made, and various sacrificial items are thrown into fire. These offerings are meant to aid Baldr in his journey on the long road of the underworld.

In “Celtic Mythology and Religion” by Macbain, he says:

“The midsummer festival, christianised into St John’s Eve and Day, for the celebration of the summer solstice, is not especially Celtic, as it is a Teutonic, feast. The wheels of wood, wrapped round with straw, set on fire, and sent rolling from a hillock summit, to end their course in some river or water, which thus typified the descending course of the sun onward till next solstice, is represented on Celtic ground by the occasional use of a wheel for producing the tinegin, but more especially by the custom in some districts of rolling the Beltane bannocks from the hill summit down its side. Shaw remarks – “They made the Deas-sail [at Midsummer] about their fields of corn with burning torches of wood in their hands, to obtain a blessing on their corn. This I have often seen, more, indeed, in the Lowlands than in the Highlands. On Midsummer Eve, they kindle fires near their cornfields, and walk round them with burning torches.” In Cornwall last century they used to perambulate the villages carrying lighted torches, and in Ireland the Eve of Midsummer was honoured with bonfires round which they carried torches.”

Large bonfires and “Sun-wheels” are made during this time, reflecting the power and glory of the Sun. Special attention was given to the goddess during this time as well, whether as a deification of the Sun itself, the Earth, the Mother, or a mix of the 3. Offerings such as flowers, cakes, milk, honey, and blood are given to the gods and spirits, a ritual exchange of abundance for abundance. As observed in the above quote, it was (and is) common practice to bring the energy of the Sun down to Earth in the form of a torch, then parade it through the fields, groves, or temples in order to bless them with this powerful energy.

In “A History of Pagan Europe” by Jones & Pennick, it says:

“…But the summer solstice, under its statutory date of 25 June, became a popular festivity early in Germanic history. The German word Sonnenwende always refers, in medieval texts, to the summer solstice, not to the winter solstice. At the end of the first century CE some German troops in the Roman army at Chesterholme listed their supplies for the celebration in a record which has come down to us. In the early seventh century, Bishop Eligius of Noyon in Flanders criticised the chants, carols and leaping practised by his flock on 24.”

Here we are given examples of some ancient Germanic practices revolving around the Summer Solstice. We are told of singing, chanting, and competitive games like “leaping”. Clearly, the Christian Romans were disturbed by this revelry, showing its clear Pagan origins. This turning point in the year was extremely important to observe, as it strikes a pivotal moment in the Sun’s lifecycle, affecting every aspect of our lives.

Ingwaz Blōtas

A short prayer to Ingwaz/Fraujaz in very crudely written/spoken Proto-Germanic.

Originally released in 2021.

ᛞᚱᚢᛏᛁᚾᚫᛉ : ᛜ
ᚲᚢᚾᛁᛜᚫᛉ : ᚫᛒ : ᛋᚢᚾᛟ : ᚢᚾᛞ : ᚱᛖᚷᚾᚫ
ᛒᛚᛟᛞᛁᛋᚫᚾ : ᚢᚾᛋ : ᛒᛟᛞᚫᚷ : ᛗᚢᚾᛞᛁᛉ : ᚢᚾᛞ : ᛋᛇᚹᚫᛚᛟ
ᛁᚾ : ᚹᚫᛚᛟ : ᚷᚱᛟᚦᚫᛉ : ᚫᚾᛞᛁ : ᛚᛖᚢᛏᚫ
ᚷ : ᚢᚾᛋ : ᚹᚫᛚᛟ : ᚢᚾᛞᚫ : ᚹᛇᛏᛁᚫᚾᚫ
ᚷᛁᚠᛏᛁᛉ : ᚢᚾᛋ : ᚹ : ᚢᚾᛞᚫ : ᚷᚱᛁᚦᚫᛉ
ᛗᚫᚷᚫᚾᚫ : ᚢᚾᛋ : ᚷ : ᚱᛇᚲᛁᚫᚾᚫ : ᛁᛋᚹᛖᚱᚫᛉ : ᚹᛖᚱᚫᛚᛞᛁᛉ
ᚺᚫᛁᛚᚫᛉ : ᛜ
ᚠᚱᚫᚢᛃᚫᛉ : ᚫᛒ : ᛋᚢᛗᛖᚱᚫᛉ : ᚢᚾᛞ : ᚺᚫᚱᛒᛁᛋᛏᚫᛉ

May abundance and prosperity reign!

Ostara / Equinox Hails!

The Spring Equinox marks the traditional Easter celebration, the moment when the Sun crosses the equator from south to north. This is when animals like rabbits, deer, chipmunks, and other creatures of the forest begin to have their offspring. Various flora also emerge around this time, dotting the landscape with hints of color. During the Spring Equinox we pay special attention to the great Goddess in her youthful form of Ostara, Goddess of the Dawn. Ostara is associated with the rising Sun in the East, fertility, and light; a beacon of joy and good fortune. To many ancient Germanic Pagans, Ostara was credited with Springs deliverance. From her name we derive the modern word Easter, nodding to the Pagan origins of this holiday. To Ostara we make offerings and pray for a good year, thanking her for the return of the light. In one particular myth, Ostara transforms a bird into a rabbit who would then lay colorful eggs for her, showing us where the core symbolism of our modern holiday came from.

Hailaz Austra!

#ostara #spring #equinox #paganism

Kenaz

ᚲ / C / K

Kenaz is a particular rune, changing dramatically in context from Elder to Younger runes. The continental Germans seemed to hold this rune in a more positive light than their Scandinavian neighbors in the North. Kenaz is a reconstructed word from Proto-Germanic meaning “torch,” associated with creative fire, skills, knowledge, and teaching. The torch is that which illuminates the darkness, showing us the way in places unknown. This has been equated with an internal creative “spark” as well, which I think is reflected in the hard “k” sound represented by this rune. If we look to the Gothic language, we find evidence for this theory in the kindred word kōnja which refers to pine sap. This must be directly related to the torch, as pine/spruce has long been a favored wood for this use. 

The Gothic name for this rune is kosma/kusma, stemming from kunnan meaning “to be able, to know how,” referring to one’s inner abilities and skills. This word travels through time and tribe almost unchanged in sound and meaning, showing up in modern English in the words know and keen. In my opinion, the best example of this concept is crystallized in the Swedish word konst, meaning “art, knowledge, science, magic, secret,” and in the cognate German word kunst meaning “skill, craft, ability, magic.” This internal power of knowledge, associated with a craft or specific artistic focus, is the secret “light” side of the Kenaz rune, symbolizing our ability to make things known, to teach them, and to exhibit mastery in arts, crafts, intellectual or occult matters. 

 When looking for clues in the rune poems, the only evidence we find in relation to a “torch” is from the ‘Old English Rune Poem,’ where it states: 

“Torch is known by each of the living through its fire

-bright and blazing- it burns oftest

Where the athelings are at ease indoors.”

 Here it is clear that the word “torch” is denoting skill as a display of one’s “inner fire.” This is something (as a torch in the dark) that all can witness. “Bright and blazing” is the external effect of mastery and true skill in craft, as creation is a bright and blazing power. The last line denotes a sense of peace inherent in the “athelings,” which means “nobles, lords, heroes.” This clearly reminds an English reader of the word athlete, which signifies “those competing to win a prize.” I believe this relates to the calm felt within an extremely wise, skilled, or focused group; where everyone’s flame is burning bright and clear, all can feel a sense of ease and comfort. We get another look at this concept with the Old English word kennan which means “to make known, declare” but also “to bring forth, produce.” This is essential to the function of a craftsmen, artist, musician, or anyone who actively works with creative energies and systems. 

 In Old Norse, this rune is represented in the word kaun, meaning “sore, ulcer, boil,” and carries a much more sinister and harmful aspect associated with it. In most old poetry and analysis, it seems this rune was more of a curse or fetter than something used for anything “positive.” Although, in some Freemason rites, it has been shown that the Younger rune (ᚴ) is still in effect as a “torch,” as it mimics the man holding his sword (torch) at this angle during initiation rituals. As one walks through this “tunnel of torches,” he is “illuminated/initiated” into a new reality. 

 In the ‘Old Norwegian Rune Rhyme” it is said: 

“A sore is a curse for children;

Bale makes a man pale.” 

 Likewise, in the “Old Icelandic Rune Poem” it is said: 

“A boil is bale for bairns, and a scourgeful spot,

 And a home for flesh-rot.” 

 Here we see how our Scandinavian ancestors viewed this rune, as a much darker and fearful tone is taken with it. They viewed this rune in the context of evil and pain, without any allusions to a “lighter” aspect within the poetry. However, all these physical ailments have in common the sensation of “burning” within those experiencing it. This gives us insight into the deeper layers of the rune, where “fire” is still present, albeit in a new form. This rune was probably used strictly as a curse unless by the most skilled of sorcerers, who may have been able to turn this internal strife and struggle into acts of creation or transcendence. If looking at the Younger Futhorc as a whole, we see Kaun landing next to another very sorcerous and powerful rune, Hagal, the hail stone of transformation. Seeing these very destructive and feared runes side by side, as fire and ice respectively, shows a sort of miniature Ragnarök within the cycle of the Futhorc, enhancing the importance of viewing them in their respective “aetts” or groups, as here we end the first and begin the second. This is something I plan to venture into with more thought later… 

 To conclude, Kenaz is a rune steeped in much power and is tied together throughout all linguistic changes in the concept of an internal “fire” or a “burning” sensation. We have the older associations with torches, knowledge, creation and skill; being associated with teachers, students, craftsmen, and artistic masters. We also have the concept of “keenness” tied in, being exceptionally skilled and knowledgeable, “sharp” of mind and highly productive. In the North, this rune carried a more malicious nature, representing sickness, pain, and struggle. When approaching this rune from all the previous angles, we see a very wide range of meanings one can attribute to this rune, depending mostly on which system of runes one is working with. If using the Elder or Anglo-Saxon runes, this rune is viewed in relation to the torch. If using the Younger runes, it is likely you will associate this rune with pain or sickness.

Taken from the book “Wandering the Runic Path: Esoteric Analysis of the Germanic Runes” by Hrukjan.

Lord of the Earth (Ingwaz)

Our newest song is a farewell to Freyr (Ingwaz) until his resurrection in May.

As the embodiment of fair weather and the inhabited, fertile, cultivated spaces of man, Freyr is returned to his mound on Nov 1st as Winter descends on our area of the country. Freyr remains covered until May 1st, when he will be returned to his rightful position on the land as guardian and provider of abundance.

During the Winter, when walking past the altar and mound of Freyr, one is encouraged to drop coins through cracks in the mound. This guarantees that one remains blessed by the god during Winter and also ensures that when he is returned in May, there will be extra resources for the celebration.

Freyr represents the male aspects of the Earth, being revered as a god of fertility, abundance, and prosperity. His rune is Ingwaz, the primordial seed, which symbolically represents the gestative powers of the Earth itself. Freyr is the great overseer of farming and agriculture, creating peace and harmony in the lives of humans and the animals they work with.

The song includes a short prayer and list of offerings given to the god during celebrations. May it aid in your connection to Freyr and further your attainment of success.

Lyrics:

From the land, of golden sun
Bathed forever, in the light
God of days, without night
In Alfheim…

Milk and sugar
Seeds and wine
Herbs and fire
Flowers and pine
Coins and blood
Runes and water
Meat and eggs
Bones on the altar

Ingwaz, Lord of the Earth
Crops in the field, wood in the hearth
Carry the fire, to the tables
Of the gods…

Milk and sugar
Seeds and wine
Herbs and fire
Flowers and pine
Coins and blood
Runes and water
Meat and eggs
Bones on the altar

Journey to the Sun (New Song!)

This is our last song for the Summer and a celebration of all the experiences of the year thus far.

We hope your Summer was full of great experiences and new lessons learned.

May all beings thrive under the Sun.

May all beings rise to new heights.

Hailaz / Namaste

-Ansuz Society

sun #summer #music #travel

Yarrow Lore (Achillea millefolium)

The scientific name for the common yarrow plant (Achillea millefolium) translates to ‘a thousand leaves’, in reference to the tiny, lacy, fern-like leaves. It is also called plumajillo (“little feather”) due to the shape and wispy characteristics of the leaves. Other names include chipmunk tail, milfoil, bloodwort, nosebleed plant, woundwort and field hops. The common name of yarrow may be derived from the Celtic word garw, which means “rough” and could be associated with yarrow’s ability to thrive in inhospitable conditions.

Yarrow was (scientifically) named after the Greek warrior Achilles, whose longevity in battle was credited to being dipped in a warm bath of yarrow shortly after birth. Later, it’s said that he used yarrow leaves to heal the wounds of his men. In keeping with this heroic legacy, yarrow is one of our strongest allies for heavy or hemorrhagic bleeding and first-aid herbalism.

Yarrow has long been associated with the occult and divination practice. It was considered an “herb of witches” due to its outstanding healing power. This could also have given rise to some of the common names for yarrow, such as bad man’s plaything, elf’s herb, devil’s plaything, devil’s herb and devil’s nettle. The Druids selected stems of yarrow to forecast weather for the season. The Irish included this as one of the herbs of St. John and hung it on houses as protection from sickness. In Celtic folklore, yarrow was used in handfasting and wedding rituals. It is said that yarrow keeps a newly married couple happy and at peace for seven years. I am not sure what happens after those seven years! Yarrow was also used by the Chinese as an oracle for foretelling the future.

Yarrow has been used in old European love charms for millennia. This plant is said to be a cure for heartache and has been used as a love charm. When the herb is pressed into a small sachet and placed under one’s pillow, it provokes dreams that can reveal the identity of one’s true love.
One Gaelic incantation that is recited when plucking yarrow goes like this: “I will pluck the smooth yarrow that my figure may be sweeter, that my lips may be warmer, that my voice may be gladder. May my voice be like a sunbeam, may my lips be like the juice of the strawberry…”
The Farmer’s Almanac published an article in 1986 that included an article titled “How to Find the Perfect Mate”. Several superstitious acts were listed, beginning with “Pluck a stalk of yarrow and stick it up your nose. If a drop of blood appears, your love is true.”

Yarrow was used by the Saxons as an amulet. These served as protection from all sorts of ailments and robbery. While it was used for security purposes, at the same time it could serve evil intents as well. Other legends state that when going on a journey, one should pull ten stalks of yarrow, keep nine, and throw the tenth away (as an offering to the spirits), place the nine under your right heel and evil spirits would have no power over you.

Amidst all the lore and practical uses, yarrow is also a ceremonial and mind-altering medicine. It is mildly psychotropic, and many herbalists have reported shifts in consciousness after taking high doses. When fermented in ale or mead, yarrow’s intoxicating effects seem to be enhanced. You won’t experience these effects if you’re taking yarrow in standard medicinal doses.