Mahakala, black in color and fearsome in appearance, represents spiritual activity beyond our comprehension; the true consciousness that is unseen. His name means “Beyond Time/Great Black One” because he is all pervasive and unmanifested in material form, free of the shackles of tangibility. As a presence beyond matter, he remains untouched by Samsara, residing in the very fabric of space (consciousness) that permeates the entirety of the cosmos. Mahakala, like all Yidam (Ishtadevata) deities, represents the Vajra mind, fixed and indestructible; the primordial state of sentient awareness. Surrounded by the flames of wisdom, he is beyond the reach of times’ destruction. Mahakala is the foundation of conscious reality; a force of gravity that pulls beings towards the practice and service of the Dharma.
“…Such undeluded energy, like a windblown fire, can burn away the dross. Mahakala has strong legs and Mahakala has sure feet; They are well able to trample down demonic thoughts and deeds!…”
Our newest song is a farewell to Freyr (Ingwaz) until his resurrection in May.
As the embodiment of fair weather and the inhabited, fertile, cultivated spaces of man, Freyr is returned to his mound on Nov 1st as Winter descends on our area of the country. Freyr remains covered until May 1st, when he will be returned to his rightful position on the land as guardian and provider of abundance.
During the Winter, when walking past the altar and mound of Freyr, one is encouraged to drop coins through cracks in the mound. This guarantees that one remains blessed by the god during Winter and also ensures that when he is returned in May, there will be extra resources for the celebration.
Freyr represents the male aspects of the Earth, being revered as a god of fertility, abundance, and prosperity. His rune is Ingwaz, the primordial seed, which symbolically represents the gestative powers of the Earth itself. Freyr is the great overseer of farming and agriculture, creating peace and harmony in the lives of humans and the animals they work with.
The song includes a short prayer and list of offerings given to the god during celebrations. May it aid in your connection to Freyr and further your attainment of success.
Lyrics:
From the land, of golden sun Bathed forever, in the light God of days, without night In Alfheim…
Milk and sugar Seeds and wine Herbs and fire Flowers and pine Coins and blood Runes and water Meat and eggs Bones on the altar
Ingwaz, Lord of the Earth Crops in the field, wood in the hearth Carry the fire, to the tables Of the gods…
Milk and sugar Seeds and wine Herbs and fire Flowers and pine Coins and blood Runes and water Meat and eggs Bones on the altar
We have recorded a rendition of the Mahamrityunjaya mantra with a new affiliate @kshatriyacowboy. This verse can be found in the Rigveda (RV 7.59.12) and is devoted to the great Rudra-Shiva in his form of Tryambakam or “The Three Eyed One.”
There are many translations of this mantra, but it is generally referred to as the “Great Conquest Over Death” or “Death Destroying” mantra.
The Mahamrityunjaya mantra is a request to be separated from the clutches of death; a longing to be free of attachments to samsara and one’s inherent ignorance regarding the perception of self. The mantra expresses a specific wish to not be removed from the possibility of immortality; requesting to have one’s attachment to samsara be broken (the suffering of bodily/individual bondage) but for one’s consciousness (Self/Atman) to remain intact for eternity; completely overwhelmed and overflowing with devotion for the primeval essence. This is requested as a means to continue worshiping the divine Shiva for all of infinity, who is none other than the progenitor of primordial consciousness; the true state of one’s being. The mantra describes this metaphorically as a cucumber (or melon) being separated from its vine but continuing to live on as an emanation of its source (Shiva). This request is for consciousness to become free from the shackles of the flesh (vine) associated with the experience of samsara (change), ego, and death. Through this process, one’s true Self may live on forever in constant reverence of the primordial source; the original state of awareness from which one’s perception comes and to what one’s consciousness is inseparable from, no matter how obscured or hidden by one’s mundane delusions.
Oh Three Eyed one, great Shiva,
Fragrant (blissful, aromatic) sustainer of prosperity,
As the cucumber is removed from its vine (bondage),
May I be relinquished from death (attachment to samsara) but not from immortality.
A short section from the new book “Wandering the Runic Path: Esoteric Analysis of the Germanic Runes” regarding the Kenaz (ᚲ) rune.
“Kenaz is a particular rune, changing dramatically in context from Elder to Younger runes. The continental Germans seemed to hold this rune in a more positive light than their Scandinavian neighbors in the North. Kenaz is a reconstructed word from Proto-Germanic meaning “torch”, associated with creative fire, skills, knowledge, and teaching. The torch is that which illuminates the darkness, showing us the way in places unknown. This has been equated with an internal creative “spark” as well, which I think is reflected in the hard “k” sound represented by this rune. If we look to the Gothic language, we find evidence for this theory in the kindred word kōnja which refers to pine sap. This must be directly related to the torch, as pine/spruce has long been a favored wood for this use.
The Gothic name for this rune is kosma/kusma, stemming from kunnan meaning “to be able, to know how,” referring to one’s inner abilities and skills. This word travels through time and tribe almost unchanged in sound and meaning, showing up in modern English in the words know and keen. In my opinion, the best example of this concept is crystallized in the Swedish word konst, meaning “art, knowledge, science, magic, secret,” and in the cognate German word kunst meaning “skill, craft, ability, magic.” This internal power of knowledge, associated with a craft or specific artistic focus, is the secret “light” side of the Kenaz rune, symbolizing our ability to make things known, to teach them, and to exhibit mastery in arts, crafts, intellectual or occult matters.”
May all sentient beings realize this rune within themselves.
“Think of the simplest thing you do, such as making a cup of tea. You know that in order to do something as easy and simple as making a cup of tea, you must acquire all the necessary conditions and ingredients. You need a source of heat and you need a source of water. You need a container in which to boil the water, you need tea leaves, and you need a cup to drink the tea in. If you do not have those things, you cannot make tea. When it comes to making tea, we take all of these things for granted. We think of it as a very simple process. Yet somehow when it comes to the practice of Dharma, we are unwilling to go through the process of accumulating what is necessary.
Furthermore, when you make tea you have to know what your are doing. You have to know how to use the stove. If you do not know what you are doing, you are going to burn your house down. When it comes to practicing Dharma, you think that you do not need to know what you are doing; you do not need to know anything, and you do not need to study. This is incorrect.”
-MD Vol. 3 (The Dispelling of Impediments or Obstructions)
It is important that we approach our practice in this simple and straight forward way, making sure to acquire and assemble all of the ingredients of a practice (physically and mentally) before attempting to accomplish it. If we expect fruition of a practice without doing any preliminaries to ensure our accomplishment, we will likely fail and discontinue, or worse, lose our faith altogether. Be diligent and disciplined with your routine, take things step by step. Don’t be afraid to ask for help or advice from those who embody the qualities you want to develop or achieve. This is crucial on our path towards awakening.
Odin as the primordial state of consciousness applies to women as well, as Odin is said to have given soul to both. This innate awareness is formless and is beyond any associations with body or sexual identity. Therefore, one does not have to look at primal awareness as something based on these limiting and mundane concepts. This doesn’t mean that Freyja is not involved in the equation, as Freyja is the energy and flux of the natural/material universe, identical to great Kali/Shakti/Tara Ma. Freyja represents matter, while Odin represents consciousness. Without Odin, there would be no Freyja, and without Freyja, Odin would have nothing to manifest into. These are the two pieces of the puzzle that create what we know of our existence and reality; the Father (consciousness) and the Mother (material world). Each sentient being and all physical matter encapsulates these qualities. They are inseparable. Through training and practice, one can destroy the surface duality represented in these two halves, reuniting them into one single point of experience. Either deity can be venerated as supreme, as they both express one final outcome of creation.
We have uploaded a new galdr track titled “Ek Immi Óðinn” to our YouTube channel.
Ek Immi Óðinn can be translated to “I am Odin” and is meant to invoke the supreme awareness within. After one feels the deity present in their surroundings, one is to merge this primordial consciousness into oneself, replacing the mundane qualities of their hindered state of being associated with ignorance, weakness, and delusion. This method is mirrored in the Sanskrit mantra “Soham,” meaning “I am That.” This is a technique which allows the practitioner to become the deity (Odin) through the replacement of one’s limited state of mind, substituting it with the primordial awareness represented by the all-pervading consciousness of Odin. Through chanting this galdr repeatedly, one can transform themselves with immense speed and precision if one practices with single-pointed focus.
May all sentient beings seek the source of their consciousness and realize Odin within.
One interpretation of Odin’s world tree ritual is the destruction of his ego: the sacrificing of his lower self to his higher Self. The ritual is a metaphor for replacing our material limitations for the infinite potential of primordial wisdom; exchanging our mundane form for that of the almighty consciousness of Odin. Odin, as the material individual, strives to return to the source, which like Shiva or Buddha, is nothing other than his innate, true nature, beyond constructs and existing within everything. This is why Odin is known as the “Masked God” or “God of Masks,” as his shapeless state allows him to cloak himself in whatever physical form he wants, being able to shift appearances according to his worldly goals.
Names of Odin relating to this are Fjallgeiguðr (Shape God), Fjolnir (The One Who is Many), and Grimnir (Masked One). Odin, in this way, represents all possible expressions of life and exists within all sentient beings. Odin is the great animator of matter, obscured and covered up to varying degrees by the limitations of our ignorance and material attachments. By removing these obstacles one by one, Odin, as the common man, realizes and becomes his true Self; the unchanging reality which can be described as furious, terrifying, and awesome. This is why he is known as “The Terrible” or “Furious One,” as the realization of this state can be deemed nothing other than ferocious and shocking. This is identical to some names of Shiva that relate to this same phenomenon, such as Bhairava (Lord of Terror), Mahakala (Beyond Time), and Rudra (The Howler/Dreadful).
This primordial state, the formless consciousness beyond conceptual and dualistic framework, can be further represented by Odin’s one eye, which sees nothing but the true state of reality: non-dual and single focused. This pure vision shows him all things; the causes and effects of all phenomena; unaffected by time, change, or abstract forms. Odin as the “One-Eyed God” appears in many ways such as Hoárr (One Eyed), Báleygr (Flaming Eye) and Bileygr (Flashing Eye). Odin, the individual, has but one single motive: the search for ultimate wisdom/source. Further evidence for this is reflected in his names Sanngetall (Seeker of Truth), Fjǫlsviðr (Very Wise), and Forni (Ancient One).
This is the eternal Odin within us, the awareness we must all uncover if we want to transcend our worldly limitations. This formless state of being is what remains when the body falls to the wayside, remaining intact for all of eternity. Through his ritual on the world tree, Odin loses attachment to his body/shape/name and realizes his supreme nature; flooded by the ancient wisdom of the cosmos represented by the runes, poetry, and other various magical techniques.
May all sentient beings seek the source of consciousness and realize Odin within themselves.
ALU represents orally transmitted knowledge that is passed down or transferred between individuals. This is akin to one “vessel” pouring liquid (ALU) into another vessel, representing the passing of tradition and secret wisdom from teacher/guru to student/disciple. This can be visualized like a great fountain, where water cascades down from one source point, representing the head of the spiritual lineage, falling down into further basins which overflow into more and more, representing each member who retains the teachings.
One could also speculate that the magical phrase ALU, while being associated with an “intoxicating” beverage, could be a reference to the “madness” that Odin is said to bring forth in his devotees. Other Proto-Germanic words like aluh (amulet) and alh (protect) can bring us to see ALU as being “protected by the intoxication of Odin.” It is quite possible, as with the Vedic and Egyptian ancient temples, that this ALU was a mix of substances, kept within the temple for sacred use. Other ingredients were likely various herbs and psychedelic mushrooms.
ALU can also be associated with inspiration and the “Mead of Poetry.” This magical liquid is said to cause consumers to become skalds (poets) and scholars; created by the dwarves Fjalar and Galar by mixing honey with the blood of the wise god Kvasir. Odin steals this magical mead disguised as an eagle and brings it back to Asgard. He then (through his mouth) delivers it to the gods and those skilled in poetry, emphasizing the concept of orally transmitted wisdom. This story can be found in Skáldskaparmál.
May ALU flow within all sentient beings and may divine intoxication drive your spirit forward.
Ansuz Society 