Samhain/Álfablót

Samhain is a time when the spirits of nature, the dead, and the gods are most likely to emerge to interact with the living. During these days, when daylight becomes shorter and shorter, nature around us seems to die and shed its vitality, leaving stalks, trunks and branches barren, resembling bones protruding from the soil. This is a time when we are meant to shift our focus from outdoors to indoors and shed our dead weight from the previous year, like the trees shed their leaves. By doing this, we are mirroring the process of nature and turning our energy inward. With Samhain come the final harvests, meaning that soon the workload will be drastically cut down and many daily activities will change. This time is to now be replaced with indoor tasks such as tending to animal pens, preserving food, repairing tools, spiritual practice, and performing various crafts such as woodworking, writing, or blacksmithing.

It is customary to make offerings to the deities, ancestors, and wandering spirits during this time in order to receive their favors, blessings, and good luck. We please the spirits to avoid their wrath. We offer to the ancestors to uphold family honor. We give our veneration to the gods to gain their power and visage. By performing rituals during this particular time of year, one enables themselves to better access various forces and gain insight into the past, future, and matters regarding cause and effect within the present which will aid one’s progress moving forward.

In “A History of Pagan Europe” by Jones & Pennick, they write:

“Samhain (1 November). This was the most important festival of the year, showing the pastoralist, rather than agricultural, origin of the calendar. Samhain was the end of the grazing season, when flocks and herds were collected together, and only the breeding stock set aside from slaughter. It was a time of gathering-together of the tribe at their ritual centre for rituals of death and renewal, dedicated to the union of the tribal god (in Ireland, the Daghda) with a goddess of sovereignty, the Morrigan, or, more localised, Boann, deity of the River Boyne.”

As the last of the great harvests, Samhain brings reward and celebration, the end of one year and the transition into the next. According to many European tribes, Samhain marked the turning point between the years and represented the New Year celebration of their cultures. With Samhain we descend into “night,” resembling the womb of the goddess or the abode in which she resides. The goddess reigning over this time of year was almost always in the form of a grim, fate-controlling hag or crone, such as Hel, Frau Holle, or the Morrigan.

In “Celtic Mythology and Religion,” Macbain writes:

“Equal to Beltane in importance was the solemnity of Hallowe’en, known in Gaelic as Samhuinn or ‘summerend.’ Like Beltane it was sacred to the gods of light and of earth; Ceres, Apollo, and Dis also, must have been the deities whose worship was honoured. The earth goddess was celebrated for the ingathering of the fruits; Apollo or Belinus and Proserpine were bewailed for their disappearing from earth, and Dis, who was god of death and winter’s cold, and who was especially worshipped by the Celts, as Caesar says, was implored for mercy, and his subjects, the manes of the dead, had special worship directed to them. It was, indeed, a great festival—the festival of fire, fruits, and death.”

In reference to Norse and Germanic paganism, we see the worship of elves and land spirits was also common during this time. In modern Germanic paganism, many people celebrate Samhain under the name Álfablót (Elf Sacrifice), which is when harvests are reaped and sacrifices are made to the elves and gods. Elves and the dead are strongly connected to the ancient burial mounds of the Pagans, therefore, much of the activity surrounding this festival would have likely involved distributing offerings to the gods and conducting sacrifices directly upon the mound (or grave) of the dead. This is where the elves were thought to reside.

In our own Samhain/Álfablót practice, the fair-weather god Freyr, king of the elves, is given one last celebration of reverence, being the center focus of the rites and rituals of the two-day celebration. He is invoked and offered substantial food and drink, as well as prayers and songs, showing devotion and thanks to the spirits and deities of abundance and prosperity. The event begins on the last day of October (Halloween) and ends the night of November 1st, when Freyr is returned to his resting place until the first of May. This cycle is reflected in “Myths and Symbols in Pagan Europe,” where Davidson writes:

“He [Freyr] is said to have brought good seasons and prosperity to the land, and so when he died the Swedes brought great offerings to his mound, and believed that he remained alive and potent in the earth. The connection which seems to exist between Freyr and the elves and land-spirits thus provides an additional reason to associate them with the dead in their graves.”

Because of these associations, we place the death and rebirth of Freyr (the power of good weather and abundance) within this span of time (Nov 1-May 1). However, this is not the only way to do things nor is it recommended to everyone, as how one celebrates these sacred events revolves much around one’s lifestyle, geography, deity devotion, and overall means. For us in Western New York, this timeline coincides seamlessly with the natural cycle of the weather, and therefore is easy to follow. For those in a different climate or location, this may not make as much sense, and it is recommended to follow the patterns around you regarding these things.

In “Sorcery and Religion in Ancient Scandinavia,” Vikernes gives us further examples pertaining to the Nordic new year and pre-Christian Halloween customs. He writes:

“The first holiday of the year was New Year’s Day, better known in English as Halloween (“initiation evening”), and in Gaelic as Samhain (“summer’s end”). The sorcerers and later the gods (i, e. religious kings) and their challengers dressed up as different creatures with access to the realm of the dead. They fasted and hung their clothes in a tree or the gallows, to make it look as if they had hanged themselves. They wounded themselves with a spear, to bleed, smeared ash or white mud all over their bodies to look like the dead, they put on masks and sacrificed a cow or an ox on the grave mound, so that the blood poured down and into the grave underneath; into the realm of the dead. They then blew a horn, in the Bronze Age a lure, to open up the entrance to the realm of the dead. They then travelled into hollow trees, caves in the mountain, holes in the ground, or more commonly into the burial mounds. These were all seen as entrances to the realm of the dead. Inside, in the darkness of the grave, a woman was waiting for them, sprinkled in the sacrificed animal’s blood and dressed like the queen of death. They then took at least some of the objects their dead forebears had been buried with and brought them back out.”

As we can see, Samhain (or Álfablót) type celebrations were not only distinct to Celtic and Germanic culture, but rather appear as a pan-European tradition representing a celebration of the dead, the ancestors, and the final harvests of the year. It is clear that no matter which form of paganism(s) one practices, the celebration and event known to us now as Halloween is of very ancient and sacred importance. Not only as a transitional period between the seasons, but as a time when it was believed to be easiest to pierce the veil between dimensions and interact with beings outside of our normal cognition. It is because of the superstitions and Pagan worldviews of the past that we have many (if not all) of our current yearly celebrations in the West.

Autumn Equinox

The Autumn Equinox is the turning point in the year when daylight and darkness become even once again, tipping the scales towards the darkest period of the year when the nights grow longer than the days and the weather gets colder. Traditionally, harvests would be reaped during this time and various rituals were conducted for the gods and spirits residing over abundance. Attention was given to the spirits and ancestors as it was believed that this time was liminal and other realms were accessible. At the cusp of the Equinox, the dark half of the year begins to slowly gain dominance once again.

Bonfires are especially common as well as sacrifices, whether physical or symbolic. People give thanks and ask for future abundant harvests, ensuring a healthy stock of goods for the upcoming Winter months. Much depended on this pivotal time of year and many rites were undertaken to guarantee success. Feasts would be widespread as well as games, echoing other Summer/Fall festivals in atmosphere. For us here in the Northeastern United States, many crops are ripening at this time, such as squash, tomatoes, and beans. With this comes canning and drying to stock pantries for the Winter.

In “Teutonic Mythology” by Grimm, it says:

“In some parts of northern England, in Yorkshire, especially Hallamshire, popular customs show remnants of the worship of Frieg. In the neighborhood of Dent, at certain seasons of the year, especially autumn, the country folk hold a procession and perform old dances, one called the giant’s dance: the leading giant they name Woden, and his wife Frigga, the principal action of the play consisting in two swords being swung and clashed together about the neck of a boy without hurting him.”

As seen above, many early English (and Germanic) peoples would honor the god/goddess Frieg (Frigga) and Woden (Odin) during this time. Woden/Wotan in early Germanic belief was sometimes associated with wheat fields, where offerings were left for his horse Sleipnir during pivotal moments of the year. Certain epithets of Odin give reason to believe that he has been worshipped as a benevolent god to some extent, reigning over wealth, fate, and general prosperity. Names like this include Farmatýr (Lord of Cargoes) and Óski (God of Wishes).

Regarding Odin and continental Pagan belief, Grimm also states:

“As these names [Woden/Mercury/Hermes], denoting the wagon and the mountain of the old god, have survived chiefly in Lower Germany, where heathenism maintained itself longest; a remarkable custom of the people in Lower Saxony at harvest-time points the same way. It is usual to leave a clump of standing corn in afield to Woden for his horse.”

Of all the ancient celebrations, the Autumn Equinox was the most difficult one to find any references for. My belief is that it was a lesser celebratory event and more centralized in each community, where the harvest would be brought in and the local spirits offered to. People were likely working hard and didn’t have time to prepare for anything large like they would have during the last harvest of Samhain, which certainly would have taken the forefront in terms of importance, at least to the Pagan Celts.

In “The One-Eyed God” by Kershaw, it says:

“These times of transition are strange times, whether the transition is from month to month, or season to season, or year to year; they are times which are not quite one thing or the other. They are like boundary lines, which are not quite my property or yours, or doorways, which are not quite inside or outside. As Eitrem said, it is at these dividing lines of time and space that the dead and Hermes are particularly active.”

It was common to not only focus on the harvest at this time, but to also give special attention to the dead and gods (or spirits) associated with death. The year was to start its final stages of descent into darkness and the deified Sun/Light was to begin the darkest part of its journey through the underworld. Because of this, symbolic bonfires are lit in order to emulate the Sun and prolong the light.

In “Sorcery and Religion in Ancient Scandinavia” by Vikernes, it says:

“Odinn placed his eye in the grave, in the well of the past, every year, in order to learn from the past. This might sound strange, but his eye was the Sun, Baldr, that lost its power every autumn and therefore had to spend the winter in the world of the dead. In other words, Odinn had one eye in the world of the living and one eye in the world of the dead.”

Aside from the various gods, goddesses, and spirits of prosperity, it is clear that Odin and Frigga took a central role in (Germanic) Equinox observances in pagan Europe. Odin (Woden) was recognized as a god of wishes, death, darkness, gifts, and clairvoyance, mirroring the exoteric liminality of the period between light and dark invoked by the Equinox. Frigga, on the other hand, represented the Earth, love, fertility, wisdom, strength, and magic. Essentially, Frigga is the symbol of Nature herself.

This celestial event is to also be reflected internally, as darkness begins to gain supremacy after this transition. We begin to look inward and conduct deeper spiritual work, creating light within to combat the impending darkness of Winter.

-The Celto-Germanic Wheel of the Year According to Past and Present Pagan Customs

Lughnasadh/Freyfaxi

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Summer Solstice/Midsummer

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Lughnasadh/Freyfaxi

Lughnasadh is named after the Celtic Sun god Lugh. This is a time when the first harvests of the year would be brought in and prosperity would begin to be felt amongst the community. Summer is fully in bloom and the golden fields and vibrant flowers mirror the glory of the powerful Sun above. During this time, people would feast and make offerings to the gods with the first fruits of the year. During Lughnasadh, there would be singing, music, games, competitions, and much more, as the people could finally begin to enjoy the rewards of their hard work so far that year. Traditionally, Lughnasadh is the first of the 3 great harvest celebrations, kicking off the sacred celebrations when humans reap the results of what they have sown.

In “Celtic Mythology and Religion,” Macbain writes:

“It is called in Scottish Gaelic “Lunasduinn,” in Irish “Lunasd,” old Irish “Lugnasad,” the fair of Lug. The legend says that Luga of the Long Arms, the Tuatha De Danann king, instituted this fair in honour of his foster-mother Tailtiu, queen of the Firbolgs. Hence the place where it was held was called Tailtiu after her, and is the modern Teltown. The fair was held, however, in all the capitals of ancient Ireland on that day. Games and manly sports characterised the assemblies. Luga, it may be noted, is the sun-god, who thus institutes the festival, and it is remarkable that at ancient Lyons, in France, called of old Lug-dunum, a festival was held on this very day, which was famous over all Gaul.”

Wrestling tournaments, races, and various games would have been held during this time in honor of the god Lugh, who is known for being highly skilled in many different areas. Archery, stone lifting, and weight throwing contests were said to have occurred, continuing into the modern day with summer events like the Highland Games. Sacrifices were also common in Pagan times, generally of a bull, and a feast would be made from its flesh, while a portion of the blood and other pieces were given to the gods.

In “A History of Pagan Europe” by Jones & Pennick, it is said:

“Lughnasadh (1 August, also called Bron Trograin) appears to have been imported into Ireland at a later date, perhaps by continental devotees of Lugh, who in the Irish pantheon is a latecomer, the ildánach, master of all skills, more modern in character than the other goddesses and gods. Correspondingly, Lughnasadh differs from the other three festivals in being agrarian in character, marking the harvest, and baking of the first loaf from the new grain. The deity honoured at Lughnasadh was Lugh, who was said to have instituted the games in honour of his foster-mother, Tailtiu. Tailtiu (Teltown) is in fact the name of the site of the festival in Tara. It is an ancient burial ground, and its name is thought to mean ‘fair’ or ‘lovely’, so if it ever was associated with a presiding goddess of that name, like Demeter in Greece she would have ruled both the Underworld and the fruits which sprang from it.”

In modern Germanic Pagan practice, Lughnasadh is recognized as Freyfaxi or “Frey Day,” replacing the Celtic Lugh with the Norse Freyr. Special and careful thanks are given to Lord Ingwaz/Yngvi/Freyr during this time to honor his power and acknowledge his benevolence. A general sense of peace should be felt on this day as well as an internal feeling of gratitude for all one has in life. As a god of wealth, Freyr makes us reflect on the things that make us feel a sense of prosperity in our lives.

In “Sorcery and Religion in Ancient Scandinavia” by Vikernes, it says:

“The 15th day of Alfheimr was Harvest Sacrifice (No. Slatteblot), also known as Wake-Up-Day, known from Gaelic as the festival of Lugh (“light”). The day marked the beginning of harvest. Before harvest could begin the grain spirit was killed and burned, or it was – in the shape of a goat made from last year’s straw – cut into bits and pieces and buried in the field’s four corners and in the field itself. By the time of the Bronze Age the spirit of light and grain had become a goddess and a god, Sibijo and Fraujaz, known from the Scandinavian mythology as Sif and Freyr respectively. The grain deity was still represented by a straw figure in animal form – usually a goat. In addition to this, the god was cut down with a sax, sickle or scythe in a sword dance. Finally, a symbol of the god, usually a loaf of bread or (in the most ancient of times) a cone, was cut into bits and pieces and buried with the straw animal in the field/meadow. The grain spirit had to die and be buried in the ground for new grain to come. They took the first straw harvested and made a new animal of it, then stored it in a safe place for next year’s Harvest Sacrifice.”

In summary, whether celebrating Lughnasadh or Freyfaxi, this is a time when the first fruits of the year are reaped and specific rituals are undertaken to ensure the fertility of the land. Skills are put on display and the community is brought together under a common aim: prosperity, happiness, and peace. It is important to give thanks to natural and local spirits for their blessings, and to the gods for their gifts. During Lughnasadh, we revel in the light, we feast, and we celebrate our good fortune.

Ingwaz Blōtas

A short prayer to Ingwaz/Fraujaz in very crudely written/spoken Proto-Germanic.

Originally released in 2021.

ᛞᚱᚢᛏᛁᚾᚫᛉ : ᛜ
ᚲᚢᚾᛁᛜᚫᛉ : ᚫᛒ : ᛋᚢᚾᛟ : ᚢᚾᛞ : ᚱᛖᚷᚾᚫ
ᛒᛚᛟᛞᛁᛋᚫᚾ : ᚢᚾᛋ : ᛒᛟᛞᚫᚷ : ᛗᚢᚾᛞᛁᛉ : ᚢᚾᛞ : ᛋᛇᚹᚫᛚᛟ
ᛁᚾ : ᚹᚫᛚᛟ : ᚷᚱᛟᚦᚫᛉ : ᚫᚾᛞᛁ : ᛚᛖᚢᛏᚫ
ᚷ : ᚢᚾᛋ : ᚹᚫᛚᛟ : ᚢᚾᛞᚫ : ᚹᛇᛏᛁᚫᚾᚫ
ᚷᛁᚠᛏᛁᛉ : ᚢᚾᛋ : ᚹ : ᚢᚾᛞᚫ : ᚷᚱᛁᚦᚫᛉ
ᛗᚫᚷᚫᚾᚫ : ᚢᚾᛋ : ᚷ : ᚱᛇᚲᛁᚫᚾᚫ : ᛁᛋᚹᛖᚱᚫᛉ : ᚹᛖᚱᚫᛚᛞᛁᛉ
ᚺᚫᛁᛚᚫᛉ : ᛜ
ᚠᚱᚫᚢᛃᚫᛉ : ᚫᛒ : ᛋᚢᛗᛖᚱᚫᛉ : ᚢᚾᛞ : ᚺᚫᚱᛒᛁᛋᛏᚫᛉ

May abundance and prosperity reign!

Lord of the Earth (Ingwaz)

Our newest song is a farewell to Freyr (Ingwaz) until his resurrection in May.

As the embodiment of fair weather and the inhabited, fertile, cultivated spaces of man, Freyr is returned to his mound on Nov 1st as Winter descends on our area of the country. Freyr remains covered until May 1st, when he will be returned to his rightful position on the land as guardian and provider of abundance.

During the Winter, when walking past the altar and mound of Freyr, one is encouraged to drop coins through cracks in the mound. This guarantees that one remains blessed by the god during Winter and also ensures that when he is returned in May, there will be extra resources for the celebration.

Freyr represents the male aspects of the Earth, being revered as a god of fertility, abundance, and prosperity. His rune is Ingwaz, the primordial seed, which symbolically represents the gestative powers of the Earth itself. Freyr is the great overseer of farming and agriculture, creating peace and harmony in the lives of humans and the animals they work with.

The song includes a short prayer and list of offerings given to the god during celebrations. May it aid in your connection to Freyr and further your attainment of success.

Lyrics:

From the land, of golden sun
Bathed forever, in the light
God of days, without night
In Alfheim…

Milk and sugar
Seeds and wine
Herbs and fire
Flowers and pine
Coins and blood
Runes and water
Meat and eggs
Bones on the altar

Ingwaz, Lord of the Earth
Crops in the field, wood in the hearth
Carry the fire, to the tables
Of the gods…

Milk and sugar
Seeds and wine
Herbs and fire
Flowers and pine
Coins and blood
Runes and water
Meat and eggs
Bones on the altar